ScholarWorks@Hanyang University ERICA Campus: Park, ki soo

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Park, ki soo (박기수)

COLLEGE OF LANGUAGES & CULTURES (DEPARTMENT OF CULTURE CONTENTS)

Research Area: 문화콘텐츠 스토리텔링, Culture Contents Storytelling

Tel 031-400-5431
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스토리텔링:23||<:14||:13||Storytelling:11||storytelling:11||향유:9||enjoyment:9||전환:8||enjoyment(향유):8||미야자키 하야오:6||문화콘텐츠:6||상호텍스트성:6||미시콘텐츠:6||storytelling(스토리텔링):6||애니메이션:5||cultural contents(문화콘텐츠):5||거점콘텐츠:5||거시콘텐츠:5||adaptation:5||원천콘텐츠:4||지브리 스튜디오:4||macro contents:4||미장센:4||웹툰:4||positional contents:4||Miyazaki Hayao:4||cultural contents:4||micro contents:4||intertextuality:4||original contents:4||original source(원천소스):4||original source:3||animation:3||성장담:3||3막 구조:3||micro contents(미시콘텐츠):3||microcontents:3||miseenscène:3||Webtoon:3||Sekaikeigye:3||character(캐릭터):3||macrocontents:3||adaptation(전환):3||Animation:3||CT(Culture Technology):3||adaptation strategy(전환 전략):2||대중문화콘텐츠(popular culture&apos:2||macro contents(거시콘텐츠):2||창구효과(window effect):2||material for creation:2||체험:2||material for creation(창작소재):2||animation(애니메이션):2||리터러시:2||캐릭터 프로모션(character promotion):2||캐릭터(character):2||캐릭터의 정체성(identity of character):2||micro narrative(미시서사):2||montage:2||The Hero’s Journey(영웅의 여행담):2||narrative(서사):2||canon:2||Adaptation:2||orality(구술성):2||트랜스미디어 스토리텔링:2||Ghibli Studio:2||팬덤:2||풍경:2||Mono no aware:2||parallelvertical One Source Multi Use:2||parallelvertical One Source Multi Use(수평적/수직적 One Source Multi Use):2||contents of public culture(대중문화콘텐츠):2||향유(enjoyment):2||Be with You:2||부산국제영화제(Pusan International Film Festival):2||활성화 전략(Strategies to Activate):2||macro narrative(거시서사):2||산학협력:2||상품화(merchandising):2||상호소통:2||pure love genre:2||quest narrative(추구의 서사):2||서사(narrative):2||s contents):2||school stories(학교소설):2||세카이계:2||cultural identity(문화정체성):2||Initiation Story(성장담):2||Disney+:2||stage structure(단계구조):2||순애물(純愛物):2||Samgukyusa(삼국유사):2||storytelling (스토리텔링):2||storytelling cultural contents:2||storytelling literacy:2||storytelling literacy(스토리텔링 리터러시):2||Harry Potter Series(해리포터 시리즈):2||storytelling strategy(스토리텔링 전략):2||enjoying(향유):2||아비 찾기 모티프(Finding father motif):2||structure of 3 acts:2||tale(설화):2||telling strategy:2||Shinkai Makoto:2||fantasy(판타지):2||원천 소스:2||Window effects(창구효과):2||foundling motif(업둥이 모티프):2||transmedia storytelling(트랜스 미디어 스토리텔링):2||One Source Multi Use:2||One Source Multi Use(상호연동):2||illegitimate child motif(사생아 모티프):2||Finding Nimo(＜니모를 찾아서＞):2||interaction:2||adaptation strategy:2||5 Centimeters per second>:2||literacy:2||literacy(리터러시):2||정전:2||literary imagination:2||literature:2||contents as origin:1||convergence:1||creativity:1||cultural assets:1||culture discount:1||digital storytelling:1||drag artist YouTube contents drag makeup formative characteristics:1||dramatic contents:1||eleborating strategy for enjoyment:1||experience:1||fandom:1||field centered:1||franchise animation:1||gender inequality:1||globallocalization:1||horizontal spaces:1||image board:1||initiation story:1||interactive media:1||intermediality(상호매체성):1||landscape:1||lwai Shunji:1||macro contents (거시콘텐츠):1||metamorphosis:1||methodology:1||mirroring:1||myth:1||ocularisation:1||one source multi use:1||one source multi use(원소스멀티유즈):1||original contents(원천콘텐츠):1||original source.:1||phallocentric:1||plotless cinema:1||polyphony:1||positional contents(거점콘텐츠):1||positioned contents:1||postapocalypse:1||sequel:1||series.:1||specialization:1||steam punk:1||story world:1||storytelling strategy:1||strategies for utilizing Taekwondo:1||struggling field:1||the academicindustrial cooperation:1||the corresponding triangular composition subtext:1||the narration strategy:1||the story of growth(성장담):1||transculturation:1||transmedia storytelling:1||typology:1||virtuous circle system of reading:1||webtoon:1||window effect(창구효과):1||『겨울연가』:1||가치의 선순환:1||강도하:1||거시 콘텐츠:1||건축학개론:1||경합하는 장:1||공간 판타지:1||공유:1||남근중심주의:1||낭만적 세계인식:1||내부자들:1||네트워크성:1||다성성:1||담양:1||대중문화콘텐츠:1||독서의 선순환 시스템:1||드라마콘텐츠:1||드랙 아티스트유튜브 콘텐츠드랙 메이크업조형적 특성:1||디즈니/픽사 애니메이션:1||디지털 스토리텔링:1||러브레터:1||로맨스 킬러:1||마녀배달부 키키>:1||며느라기:1||면앙정:1||모노노아와레:1||모노노케 히메:1||모험활극:1||몽타주:1||문학:1||문학적 상상력:1||문화자산:1||문화콘텐츠 교육:1||문화콘텐츠 교육의 정체성:1||문화콘텐츠 도서 100권 읽기:1||문화콘텐츠 바칼로레아:1||문화콘텐츠 커리큘럼:1||문화콘텐츠학과 독서 프로그램:1||문화할인율:1||미러링:1||미생:1||미시/거시 콘텐츠:1||바람이 분다:1||방법론:1||변신:1||붉은 돼지>:1||비주얼 스토리텔링:1||상동적 삼각구도:1||상호작용성:1||서브 텍스트:1||서사 전략:1||서사의 상호 침투:1||세계관 구축:1||속편:1||송순:1||수평적 공간:1||수평적/수직적 One Source Multi Use:1||스토리두잉:1||스토리월드:1||스토리텔링 리터러시:1||스토리텔링 전략:1||스팀펑크:1||시각화:1||시점:1||신카이 마코토:1||신화:1||썅년의 미학:1||아니메:1||애니메이션 수명 주기(ALC):1||여성성:1||여성주의 웹툰:1||연작:1||영웅의 여행 모형:1||왕가위:1||원광경:1||원천 IP:1||원천/거점 콘텐츠:1||원천소스:1||원형:1||웹툰 <샌프란시스코화랑관>:1||위대한 캣츠비:1||유희:1||윤태호:1||융복합:1||융합:1||이끼:1||이미지 보드:1||이와이 슌지:1||이웃의 토토로>:1||익숙한 모티브:1||인천상륙작전:1||인터랙티브 미디어:1||전지구적 지역화:1||전형성:1||전환 전략:1||젠더 불평등:1||지금 만나러 갑니다:1||지금 만나러갑니다:1||지브리 애니메이션:1||진정성:1||집단지성:1||참여:1||창의성:1||창작소재:1||천공의 성 라퓨타>:1||초문화화:1||초속 5Cm>:1||카:1||캐릭터:1||캐릭터 장 병치된 시간:1||콘텐츠 가치:1||콘텐츠IP:1||큐브릭:1||타자성:1||탈주:1||태권도:1||태권도 활용 전략:1||테마음악:1||텔링 전략:1||토이 스토리>:1||토이 스토리Ⅰ>:1||통합성:1||트랜스미디어 스토리월드, 세계관:1||트랜스미디어스토리월드:1||특성화:1||파인:1||포스트묵시록:1||프랜차이즈 애니메이션:1||플롯 없는영화:1||픽사 애니메이션:1||하울의 움직이는 성:1||한국대중문화콘텐츠:1||한국문화콘텐츠:1||한류:1||향유, 원천콘텐츠:1||향유의 전략화:1||현장중심:1||혼자를 기르는 법:1||즐거움:1||):1||Animation Life Cycle(ALC):1||Animation(애니메이션):1||Architecture 101:1||Authenticity:1||BL:1||BL  Drama:1||BL  WebNovel:1||BL 드라마:1||BL 웹소설:1||BL(Boys’  Love):1||Cars:1||Character Fields:1||Content Intellectual Property:1||Convergence:1||Creativity:1||Crimson Pig>:1||Cultural Content:1||Cultural Contents Education:1||Cultural Contents curriculum:1||Culture Contents Baccalaureat:1||Culture Contents Book 100 volumes Reading Program:1||Culture Contents Department’s Reading Program:1||Damyang:1||Disney 3D animation(디즈니 3D 애니메이션):1||Disney/Pixar animation:1||Disneyfication(디즈니화):1||Engagement:1||Enjoyment:1||Enjoymnet:1||Escape:1||Experience:1||Femininity:1||Feminism Webtoons:1||Fun:1||Futuristic Strategy:1||GHIBLI animation:1||Ghibli studio:1||Ghibli studio(지브리스튜디오):1||Great Cattsby:1||Hanryu:1||Hayao Miyazaki:1||High ValueAdded:1||How to raise oneself.:1||Howl’s Moving Castle>:1||IP:1||IP(Intellectual property):1||Identity of Cultural Contents Education:1||Incheon Landing Operation:1||Initiation Story:1||Insiders:1||Integration:1||Interactivity:1||Interpenetration:1||Intertextuality:1||Juxtaposition Time:1||Kang Doha:1||Kiki’s Delivery Service(<:1||Korean Cultural Contents:1||Korean cultural contents:1||Kubrick:1||Landscape:1||Laputa:CastleInTheSky>:1||Love Letter>:1||Misaeng:1||Mise enScène:1||MiseenScène:1||MiseenScène(미장센):1||Miyazaki Hayao(미야자키 하야오):1||MiyazakiHayao:1||My Neighbor Totoro:1||Myeonangjeong:1||Myeoneulagi(Daughterinlaw):1||Network:1||OTT:1||OTT(Over  The Top):1||One Source Multi Use(원소스멀티유즈):1||Origin IP:1||Otherness:1||PIXAR animation(픽사 애니메이션):1||PIXAR animation(픽사애니메이션):1||Passage Rite(통과의례):1||Pine:1||Pixar animation:1||Play:1||Point of view:1||Princess Mononoke>:1||Romance Killer:1||Romantic view of the world:1||Sharing:1||Song Soon:1||Storydoing:1||Storytelling(스토리텔링):1||Stotytelling:1||StudioGhibli:1||Taekwondo:1||The Hero’s Journey:1||The Wind Rises:1||The aesthetics of a bitch:1||Toy Story>:1||Toy StoryⅠ:1||Transmedia Storytelling:1||Transmedia Storyworld:1||Transmedia storyworld:1||Universe:1||Universe Building:1||Urszene:1||Virtuous circle of value:1||Webtoon <San Francisco Hwaranggwan>:1||Winter Sonata:1||Wong Karwai:1||Yiki:1||Yoon Taeho:1||academicindustrial cooperation:1||action adventure film:1||adaptation strategy (전환 전략):1||anime:1||archtype:1||character:1||collective intelligence:1||

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55 Hanyangdeahak-ro, Sangnok-gu, Ansan, Gyeonggi-do, 15588, Korea+82-31-400-4269

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