ScholarWorks@Hanyang University ERICA Campus: Park, SungBok

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Park, SungBok (박성복)

COLLEGE OF COMMUNICATION AND CULTURE (DEPARTMENT OF MEDIA STUDIES)

Research Area: Virtual Human Comm. 온라인 저널리즘

Tel 031-400-5413
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UCC:6||Presence:4||SNS:3||Perceived Reality:3||re and byelection:2||exposure to advertising:2||UCC’s Function:2||UTAUT2:2||지각된 현실감:2||sense of colocation:2||HIV/AIDS:2||Human computer interaction:2||Fair Use Rule:2||Instant Messaging(IM):2||media engagement:2||Dysfunction:2||Game addiction:2||의사인간관계:2||모바일:2||Stigma:2||mood:2||Digital Broadcasting:2||문화 취향:2||online intimacy:2||online selfdisclosure:2||미디어 이용:2||attitude toward advertising:2||Knowledge:2||Knowledge management:2||Online Game.:2||광고 태도:2||copyright law:2||OSP(ISP) liability:2||Simultaneous Media Usage:2||Game theory:1||Humorous radio advertising:1||Intention of OTT Adoption:1||Interpersonal Satisfaction:1||Issue Salience:1||Korea:1||Local Media:1||Married Life:1||Married Satisfaction:1||Media Genre:1||Media Use:1||Metaanalysis:1||Mobile communication:1||Mobile phone:1||Movie Performances:1||Movie Stars:1||Multicasting:1||Multimedia:1||Mutual Awareness:1||Need for Cognition:1||Netflix:1||News Value Evaluation:1||OSP 책임성:1||OTT:1||OTT 서비스:1||OTT 채택 의도:1||Offline Flash Gathering:1||Online games:1||Online gaming:1||Online Community Attachment:1||Online Cues:1||Online Game:1||Online Interpersonal Relationships:1||Online Offline Communication Components:1||Online numbers:1||Online/ Offline Communication Components:1||Perceived Humorous:1||Perceived Interactivity:1||Physical Distancing:1||Popular Culture:1||Professor Paeng:1||Program Royalty:1||Psychological Distancing:1||Purchase intention:1||Reality Program:1||Research:1||Research topics:1||Risk Perception:1||SNS Fatigue:1||SNS Switching Behavior:1||SNS Usage Type:1||SNS fatigue:1||SNS 이동:1||SNS 피로감:1||Second Life:1||SelfExpression:1||Severity Perception:1||Social Bonding:1||Social Distancing:1||Social Documentary:1||Social Presence:1||Social networking sites:1||Socialpresence:1||Sociodemographic Characteristics:1||Sports sponsorship:1||TV Viewing:1||TV viewing satisfaction:1||Technology Acceptance Model:1||Textbased messaging:1||Theory of Planned Behaviors:1||Three dimensional:1||UCC 기능:1||Viewing Engagement:1||Viewing Satisfaction:1||Virtual place:1||Virtual reality:1||Wavve:1||WonSoon:1||YouTube:1||application:1||arousal:1||attention:1||attitude about issues:1||communication between married couple:1||community social capital:1||compensatory voter:1||daily newspaper:1||determinant of candidate:1||evaluation of Newsworthiness:1||gender equality:1||heart rate:1||intimacy:1||listening involvement:1||local media:1||logistic regression:1||media ethics:1||media law field:1||media law research & education:1||media repertoire:1||mobile contents:1||motivation:1||newspaper crisis:1||paid mobile news content:1||paid online news contents of daily newspaper:1||paraꡈsocial interaction:1||parasocial interaction:1||pattern of media usage:1||presence:1||punitive voter:1||push?pull?mooring:1||recognition:1||recognition of copyright:1||recognition of paid news contents:1||signal detection:1||skin conductance:1||smart phone addiction:1||sociopolitical participation:1||switching intention:1||talk radio:1||television motivations:1||use of media:1||uses & gratification theory:1||가상공간과 물리공간의 융합.:1||가상장소 애착:1||각성:1||게임 중독:1||계획행동이론:1||공동 공간감(a sense of colocation):1||공정이용:1||과시적 소비성향:1||광고 노출:1||구매의도:1||기분:1||기술수용모델:1||기억:1||넷플릭스:1||뉴스 저작권 및 유료화 인식:1||뉴스가치 평가:1||뉴스가치평가:1||다매체 환경:1||대인관계 만족:1||대중문화:1||동시 매체 이용:1||동영상 콘텐츠:1||디지털 방송:1||로지스틱 회귀분석:1||매스커뮤니케이션 법제이론:1||매체 몰입:1||멀티캐스팅:1||메타 분석:1||모바일 콘텐츠:1||문자메시지:1||문화 상품:1||문화 상품 소비:1||물리적 거리감:1||미디어 레퍼토리:1||미디어 이용행태:1||미디어 장르:1||미디어 효과:1||방송저작물:1||보상적 투표자:1||부부 만족도:1||부부 생활:1||부부커뮤니케이션:1||브랜드태도:1||블로그:1||사회적 유대감:1||사회적 현존감:1||사회적거리두기:1||사회정치참여:1||선거후보자 결정요인:1||소비자반응:1||슈퍼스타 K:1||스마트폰 중독:1||스타:1||스포츠 스폰서십:1||스포츠 스폰서십 효과:1||시사다큐멘터리:1||시청 만족감:1||시청 몰입:1||신문위기:1||신호탐지:1||실재감:1||심각성인식:1||심리적 거리감:1||심박률:1||앵커링 효과:1||어플리케이션:1||언론법제:1||언론법제 영역의 확장:1||언론의 책임과 의무:1||언론자유:1||영화 매출:1||영화배우:1||영화흥행:1||오디션 리얼리티 프로그램:1||오프라인 커뮤니케이션 수단:1||오프라인오라인 커뮤니케이션 수단:1||온라인:1||온라인 게임:1||온라인 단서:1||온라인 대인관계:1||온라인 숫자:1||온라인 커뮤니티 애착:1||요금제 패키지별 수용의도:1||웨이브:1||위험지각:1||유료 모바일 뉴스 콘텐츠:1||유머 광고:1||유튜브:1||의사소통:1||이모티콘 이용 동기:1||이슈 현저성:1||이슈태도:1||이용과 충족:1||인구사회학적 특성:1||인상관리적 가기표현:1||인스턴트 메신저1. 문제 제기 및 연구 목적동종 혹은 이종 간의 디지털 미디어들이 융합하면서 오프라인 공간과의 경계를 무너뜨리며 이제는 또 다른 하나의 현실 공간으로서 자리하고 있는 온라인 공간에서는 기본적으로 다양한 매개체를 통한 대인간 상호작용이 이루어지고 있다. 온라인 커뮤니케이션 수단으로:1||인식:1||인지 욕구:1||자기노출(online selfdisclosure):1||자아추구적 자기표현:1||재･보궐선거:1||재보궐 선거:1||저작권:1||저작권법:1||정서적 애착:1||정서적 인디케이터:1||종합일간지:1||종합일간지 유료 온라인뉴스 콘텐츠:1||주목:1||지각된 상호작용:1||지각된 유머:1||지역 언론:1||지역사회자본:1||지역언론:1||처벌적 투표자:1||청취관여도:1||청취동기:1||충성도:1||친밀감:1||친밀감(online intimacy):1||컴퓨터 매개 커뮤니케이션:1||코로나19:1||크리에이터:1||크리에이터 특성:1||탄막 기술:1||텔레비전 시청:1||텔레비전 시청동기:1||텔레비전 시청만족도:1||토크 라디오:1||팽원순 교수:1||평등성:1||프레즌스:1||피부전도반응:1||행동의도:1||3D Web environment:1||효과 크기:1||Acceptance Intention:1||Addiction:1||Addictive behaviors:1||Adolescents:1||Anchoring Effect:1||Attitude toward advertising:1||Audition:1||Avatar:1||Behavioral Intention:1||Blog:1||BoxOffice:1||Brand attitude:1||COVID19:1||CoPresence:1||ComputerMediated Communication:1||Condom use:1||Connectedness:1||Conspicuous consumption:1||Creator:1||Creators’ cognitive features:1||Creators’ emotional features:1||Cultural Consumption:1||Cultural Products:1||Cultural Taste:1||Cultural Tastes:1||Cyberplace Attachment:1||Danmu Technology:1||Effect size:1||Emoticon:1||Emoticons:1||Emotional Attachment:1||Empirical studies:1||Flow:1||

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