ScholarWorks@Hanyang University ERICA Campus: Kim, Ho young

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Kim, Ho young (김호영)

ERICA 글로벌문화통상대학 (ERICA 글로벌문화통상학부)

Research Area: 영화학, 프랑스문화

Tel 031-400-5368
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영화 이미지:5||image filmique:4||Apichatpong Weerasethakul:3||Gilles Deleuze:3||이차프레임:3||질 들뢰즈:3||롤랑 바르트:2||Jacques Aumont:2||miroir:2||자크 오몽 Jacques Aumont:2||아바타:2||Pier Paolo Pasolini:2||아피찻퐁 위라세타쿤:2||filmic image:2||앙리 베르그손Henri Bergson:2||frame:2||물질성matérialité:2||에드가 모랭:2||질 들뢰즈Gilles Deleuze:2||closeup:2||Avatar:2||image et narration:2||corporality:2||d&eacute:2||art visuel:2||Dziga Vertov:2||영화 이미지image filmique:2||Jean Epstein:2||Edgar Morin:2||외화면 horschamp:2||cadrage:2||운동이미지imagemouvement:2||운동성la mobilité:2||프레임:2||프레임 cadre:2||early film theory:2||육체성:2||primitiveness:2||한국 영화:2||Tropical Malady:2||홍상수:2||홍상수 Hong Sangsoo:2||cin&eacute:2||이중 프레임화 surcadrage:2||시간이미지:2||Hong Sangsoo:2||이차 프레임:2||이차 프레임 second cadre:2||second cadre:2||second frame:2||The Annunciation:1||The Exterminating Angel:1||Tsai Ming Liang:1||Turning Gate:1||Umberto Eco:1||Universal Language:1||Walter Benjamin:1||antinarrative:1||asian cinema:1||body:1||body language:1||cinéma:1||cinema:1||cinematic specificity:1||circularity:1||citation:1||citational writing:1||collage:1||description:1||diegetic mise en abyme:1||double:1||dream:1||dualité:1||en:1||face:1||false writing:1||fantasy:1||film:1||film image:1||frame within frame:1||heteronym:1||historical movie:1||image text:1||imagemouvement:1||imagesigne:1||imagetemps:1||intertextuality:1||langue cinématographique:1||languesigne:1||ma cor&eacute:1||ma de la surface:1||material perception:1||mentalité:1||metonymic expansion:1||modernity:1||montage:1||myth of regeneration:1||myth of the hero:1||narration filmique:1||nonsequential montage:1||oblique composition:1||parallel perspective:1||parergon:1||parody movies:1||photogenie:1||photographic image:1||physiognomy:1||planséquence infini:1||plural writing:1||premodernity:1||presence:1||rewriting:1||regeneration:1||sémiotique du film:1||semiosis:1||semiotic sewing:1||sign of indecidablility:1||signifiance:1||space shape:1||théorie filmique français (프랑스 영화이론서):1||timeimage:1||traduction de terme filmique(영화용어 번역):1||traduction de théorie filmique(영화이론 번역):1||univers matériel:1||virtual time:1||visual composition:1||거울:1||겨울 여행/어제 여행:1||공간구조:1||그리스도의 채찍질:1||근대:1||기호작용:1||기호적 재봉:1||김기영:1||꿈:1||녹색 광선:1||다시 쓰기:1||디제시스적 미장아빔:1||레퀴엠:1||르네상스 회화:1||마사초:1||몸:1||몽타주:1||묘사:1||무한 시퀀스쇼트:1||물질적 우주:1||물질적 지각:1||반서사:1||발라즈:1||베르토프:1||벤야민:1||복수적 글쓰기:1||분신:1||불확정성의 기호:1||비결정적 의미들(nondeterministic sense):1||사진 이미지:1||상(相):1||생활의 발견:1||서재의 성 히에로니무스:1||순환성:1||시각 예술:1||시네마:1||시니피앙스:1||시원성:1||신체 언어:1||실재감:1||아르놀피니 부부의 초상:1||아시아 영화:1||안토넬로 다 메시나:1||안토니오 타부키:1||얀 반 에이크:1||언어기호:1||얼굴:1||에릭 로메르:1||엡스탱:1||열대병:1||영웅 신화:1||영화:1||영화 기호론:1||영화 서사:1||영화 언어:1||영화이미지(filmic image):1||영화적 환유:1||운동이미지:1||원시성:1||이명:1||이미지기호(imagesign):1||이미지기호:1||이미지와 서사:1||이중성:1||인용의 글쓰기:1||자움(zaum):1||자크 데리다:1||자크 루보:1||자크 오몽:1||잠재태적 과거:1||잠재태적 현재:1||장 미트리:1||재생 신화:1||재생성:1||전근대:1||절멸의 천사:1||정신성:1||조르주 페렉:1||지가 베르토프:1||짐멜:1||차이밍량:1||초기 영화이론(early film theory):1||크리스티앙 메츠:1||클로즈업:1||키노아이:1||탈계열적 몽타주:1||탈프레임화:1||파레르곤:1||파솔리니:1||파스칼 보니체:1||페르난두 페소아:1||포토제니:1||포토제니(photogenie):1||표면의 영화:1||프라 안젤리코:1||피에로 델라 프란체스카:1||피에르 파올로 파솔리니:1||필름:1||허위의 글쓰기:1||환상:1||<성삼위일체>:1||환유적 확장:1||<수태고지>:1||Antonello da Messina:1||Antonio Tabucchi:1||Béla Balázs:1||Balázs:1||Benjamin:1||Christian Metz:1||Cinematic metonymy:1||Corporal Language:1||Epstein:1||Eric Rohmer:1||Fernando Pessoa:1||Flagellation of Christ:1||Fra Angelico:1||French film theory:1||Gérard Genette:1||Georg Simmel:1||Georges Perec:1||Gilles Deleuze(질 들뢰즈):1||Henri Bergson:1||Holy Trinity:1||Jacques Aumont(자크 오몽):1||Jacques Derrida:1||Jacques Roubaud:1||Jan van Eyck:1||Jean Mitry:1||Kim Kiyoung:1||Kinoeye:1||Korean movie:1||Le Voyage d’hiver/Le Voyage d’hier:1||Linda Hutcheon:1||Masaccio:1||Mechanical Perception:1||Pascal Bonitzer:1||Pascal Bonitzer(파스칼 보니체):1||Photogenie:1||Piero della Francesca:1||Portrait of the Couple Arnolfini:1||Primitive Language:1||Primitivism:1||Rayon vert:1||Renaissance painting:1||Requiem:1||Roland Barthes:1||Roland Barthes 움베르토 에코:1||Second frame:1||Shin Sangok:1||Simmel:1||St. Jerome in his Study:1||

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