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일본의 고마가쿠(高麗楽) 연구 ―<다이소토쿠(退宿徳)>를 중심으로―A Study on the Komagaku(高麗楽) of Japan: With a focus on Daisotoku(退宿徳)

Other Titles
A Study on the Komagaku(高麗楽) of Japan: With a focus on Daisotoku(退宿徳)
Authors
박태규
Issue Date
May-2021
Publisher
한국일본문화학회
Keywords
Komagaku; Daisotoku; Goguryeo; Bugaku; Sogdiana; 高麗樂; 退宿德; 高句麗; 舞樂; 粟特
Citation
日本文化學報, no.89, pp.87 - 106
Journal Title
日本文化學報
Number
89
Start Page
87
End Page
106
URI
https://scholarworks.bwise.kr/gachon/handle/2020.sw.gachon/81179
DOI
10.21481/jbunka..89.202105.87
ISSN
1226-3605
Abstract
The present study examines Daisotoku Komagaku. Daisotoku is categorized as Komagaku perceived as a dance in the style of the Korean Peninsula, where it originated. In addition, researchers have raised the possibility that Daisotoku is related to Sogdia (粟特) due to the characteristics of the masks, and because its Japanese pronunciation sokutoku resembles ‘Sogdia’. Regions of the Korean Peninsula, Goguryeo and Balhae, which are as areas from where Daisotoku was introduced, had close relations with Sogdia. That Daisotoku originated from Sogdia, although impossible to categorically state so. The present study is expected to help further the relationship of Daisotoku with Sogdia.
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