Beckett in Yeats’s Ghost (Ire)land베케트의 아일랜드 다시 상상하기와 예이츠
- Other Titles
- 베케트의 아일랜드 다시 상상하기와 예이츠
- Authors
- 이형섭
- Issue Date
- Dec-2021
- Publisher
- 한국예이츠학회
- Keywords
- 베케트; 예이츠; 탑; 쓰러지는 모든 것들; ... 한갓 구름뿐 ... ; 아일랜드개신교주의; 유령화; Beckett; Yeats; “The Tower; ” All That Fall; … but the clouds …; Irish Protestantism; spectrality
- Citation
- 한국 예이츠 저널, v.66, pp.137 - 159
- Indexed
- KCI
- Journal Title
- 한국 예이츠 저널
- Volume
- 66
- Start Page
- 137
- End Page
- 159
- URI
- https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/140020
- DOI
- 10.14354/yjk.2021.66.137
- ISSN
- 1226-4946
- Abstract
- This paper examines Beckett’s engagement with Ireland in terms of his creative responses to Yeats at three distinctive stages of Beckett’s literary career: his early critique of Yeats in “Recent Irish Poetry” (1934), All That Fall (1957), a radio play that recreates the Protestant landscape of 1920s’ Dublin, and . . . but the clouds . . . (1977), a teleplay that murmurs a phrase from Yeats’s poem. “The Tower” is the poetic nexus that holds together tenuous threads of Beckett’s relationship with and perception of Ireland. What emerges from this study is that Beckett’s complex relationship with Ireland is significantly mediated by Yeats’s spectral presence. Yeats’s presence in Beckett takes a spectral form because Yeats is a spiritual medium and cultural intermediary through which Beckett finds his fragile affiliation with Ireland. For Beckett, Ireland was Yeats’s ghost land.
- Files in This Item
-
Go to Link
- Appears in
Collections - 서울 인문과학대학 > 서울 영어영문학과 > 1. Journal Articles
![qrcode](https://api.qrserver.com/v1/create-qr-code/?size=55x55&data=https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/140020)
Items in ScholarWorks are protected by copyright, with all rights reserved, unless otherwise indicated.