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Fold 건축 특성 분석에 따른 Issey Miyake 패션의 Fold 특성Issey Miyake fashion’s fold characteristics through fold architecture

Other Titles
Issey Miyake fashion’s fold characteristics through fold architecture
Authors
서미희윤정아이연희
Issue Date
Oct-2015
Publisher
복식문화학회
Keywords
이세이 미야케; 폴드 건축; 불확정성; 경계의 소멸; 다이어그램 형태; Issey Miyake; Fold architecture; uncertainty; disappearance of the boundaries; the form of diagram
Citation
복식문화연구, v.23, no.5, pp.861 - 875
Indexed
KCI
Journal Title
복식문화연구
Volume
23
Number
5
Start Page
861
End Page
875
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/156176
DOI
10.29049/rjcc.2015.23.5.861
ISSN
1226-0401
Abstract
This study examines the formative characteristics of Fold architecture and how its properties are shown in the fashion of the modern work of Issey Miyake through analysis. In this research, the Fold classification criteria for analysis features that appeared in Issey Miyake fashion features were established through research literature on Fold architecture and leading research. Empirical data collection was conducted for Issey Miyake's work and collection by collecting photo materials, and design concepts and the results are analyzed in terms of features. Study ranges of Issey Miyake’s creative design development are Pleats Please, A-POC, 132.5 project, and collections from 2000 to 2014. The conclusion is as follows. First, design concepts presented in the Issey Miyake fashion features of Fold are Hybrid, topology, and uncertainty. Hybrid look for the meaning of fashion, which is the interaction between the wearer and garments. The concept of topology designs clothing, focusing on interrelationship of the body and clothing, and pays no attention to absolute size or the form of the clothing. The concept of uncertainty is an uncertain form that is infinitely expandable because all the elements have openness and uncertainty due to the determined incomplete state by the creator. Second, in the results presented in the Issey Miyake fashion features is the destruction of the boundary and diagram form. The destruction of the boundary is free from traditional clothing. The diagram form is a geometric form which does not create a Dart or Princess line.
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서울 생활과학대학 > 서울 의류학과 > 1. Journal Articles

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Lee, Youn Hee
COLLEGE OF HUMAN ECOLOGY (DEPARTMENT OF CLOTHING & TEXTILES)
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