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The Morality Meme: Nietzsche and A Serious Man

Authors
Mathews, Peter
Issue Date
Jan-2014
Publisher
International Consortium for the Advancement of Academic Publishing
Keywords
Nietzsche; Coen Brothers; A Serious Man; Morality; Jewishness
Citation
Cultura. International Journal of Philosophy of Culture and Axiology, v.11, no.1, pp 63 - 81
Pages
19
Indexed
AHCI
SCOPUS
Journal Title
Cultura. International Journal of Philosophy of Culture and Axiology
Volume
11
Number
1
Start Page
63
End Page
81
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/160897
DOI
10.5840/cultura20141114
ISSN
1584-1057
2065-5002
Abstract
Pairing together the Coen brothers film A Serious Man (2009) with the philosophy of Friedrich Nietzsche, this paper looks at questions about morality, illusion, and the influence of Jewish thought on contemporary ethics. Beginning with a reading of Nietzsche that locates his discussion of the Jews within its proper historical context, it traces the beginnings of the "morality meme," the notion of a universal moral reward that, Nietzsche argues, arises during the Deuteronomist period of Jewish history. The second part of the paper looks at how A Serious Man also engages in an interrogation of this moralistic overcoding of the universe, with a particular emphasis on how these questions upset Larry Gopnik's views of both science and religion. The essay then concludes with a look at the poisonous effects of the "morality meme," showing in particular how it has influenced the psychology of anti-Semitism. Rather than a rejection of Jewishness, the paper concludes that in A Serious Man the Coen brothers engage in a careful but loving criticism of their own culture that requires them to distance themselves from the problematic effects of its religious morality.
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