조선시대 문인화에 표현된 월색(月色)의 상징적 의미 연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 이주원 | - |
dc.contributor.author | 김선아 | - |
dc.contributor.author | 김선영 | - |
dc.date.accessioned | 2022-07-16T16:13:37Z | - |
dc.date.available | 2022-07-16T16:13:37Z | - |
dc.date.created | 2021-05-13 | - |
dc.date.issued | 2012-03 | - |
dc.identifier.issn | 1225-4177 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/166047 | - |
dc.description.abstract | The purpose of this study is to broaden the understanding of traditional art and to draw the implications for traditional art appreciation by investigating the symbolic meanings of moonlight through oriental philosophy, literatures, and paintings. In oriental art, there had been a long tradition of searching ways to reveal the artist's thoughts and spirituality. The light as an art element was used to uncover the essence of the object and to reflect the artist's inner self. Especially, moonlight was defined as ‘transluscent Gi(氣)’. This philosophical approach to light surpasses the notion of light as a mere art and design elements. The implications of this study for art education are two-fold. First, as visual culture art education emphasizes, in traditional art symbolic images are understood as an important medium which embodies thoughts, sensitivity, and spirituality of the artist. The examination of moonlight represented in traditional paintings could be a good example that illustrates how we can interpret and understand symbols in traditional art. Second, the understanding of the meaning of moonlight shows that integrated and interdisciplinary nature of traditional philosophy, literature, and art. The multi-dimensional study on the various meanings of moonlight expressed in oriental philosophy, poetry, and paintings leads us to see those fields are interconnected in terms of human perception and understanding. | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 한국조형교육학회 | - |
dc.title | 조선시대 문인화에 표현된 월색(月色)의 상징적 의미 연구 | - |
dc.title.alternative | Study on the Symbolic Meaning of Moonlight Represented in Traditional Paintings | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 김선아 | - |
dc.identifier.bibliographicCitation | 조형교육, no.42, pp.143 - 163 | - |
dc.relation.isPartOf | 조형교육 | - |
dc.citation.title | 조형교육 | - |
dc.citation.number | 42 | - |
dc.citation.startPage | 143 | - |
dc.citation.endPage | 163 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001637992 | - |
dc.description.journalClass | 2 | - |
dc.description.isOpenAccess | Y | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | 전통회화(traditional painting) | - |
dc.subject.keywordAuthor | 전통미술교육(traditional art education) | - |
dc.subject.keywordAuthor | 상징성(symbolism) | - |
dc.subject.keywordAuthor | 문인화(literary artist&apos | - |
dc.subject.keywordAuthor | s painting) | - |
dc.subject.keywordAuthor | 달빛(moon light) | - |
dc.identifier.url | https://www.kci.go.kr/kciportal/landing/article.kci?arti_id=ART001637992 | - |
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