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몸의 수사학(修辭學), 음악의 수사학(修辭學) :바로크 부레(Bourre)의 경우Rhetoric of Body, Rhetoric of Music: an Exploration on Baroque Bouree

Other Titles
Rhetoric of Body, Rhetoric of Music: an Exploration on Baroque Bouree
Authors
정경영
Issue Date
Oct-2009
Publisher
한양대학교 음악연구소
Keywords
Boure; rhetoric; ‘Boure d' Achill; ‘Boure I’ from < English Suite No. 1> ; Baroque Dance; Stylized Dance; Boure; rhetoric; ‘Boure d' Achill; ‘Boure I’ from < English Suite No. 1> ; Baroque Dance; Stylized Dance; 부레; 수사학(修辭學); ' 아킬레스의 부레' ; < 영국 모음곡 제1번> 부레 I; 바로크 춤; 양식화된 춤
Citation
음악논단, v.23, pp.47 - 68
Indexed
KCI
Journal Title
음악논단
Volume
23
Start Page
47
End Page
68
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/175997
ISSN
1738-1452
Abstract
Rhetoric had a great influence in Baroque era. Dances and Music were not exceptions. Until recently, however, scholars who have studied the musical rhetoric focused exclusively on the relationship between texts and music. Naturally, only the role of elocutio has been emphasized among sub-disciplines of rhetoric. Other sub-disciplines, such as 'inventio' and 'dispositio' also are very important to understand the influence of rhetoric on Baroque dance and music. These sub-disciplines also provide an useful frame of reference to compare the Bourée during the reign of Louis XIV and the one that has been stylized during the 18th-century. In this study, the author compares the 'Bourée d'Achille' and J. S. Bach's Bourée I' from <English Suite> from the rhetorical view.
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