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The neoliberal world order and patriarchal power: A discursive study of Korean cinema and international co-production

Authors
Yoon, Sunny
Issue Date
Mar-2009
Publisher
Taylor and Francis Inc.
Citation
Visual Anthropology, v.22, no.2-3, pp 200 - 210
Pages
11
Indexed
SCOPUS
Journal Title
Visual Anthropology
Volume
22
Number
2-3
Start Page
200
End Page
210
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/177108
DOI
10.1080/08949460802625247
ISSN
0894-9468
1545-5920
Abstract
"This research is an attempt to examine the ideological aspects of Korean cinema in the context of politico-economic changes. Korean cinema is in the process of economic restructuring, driven by neoliberal forces on a global scale. These economic forces also influence film texts on a concrete level, creating hybrid characters and narratives in blockbusters and co-produced films. These new genre films have tended to reinforce patriarchal ideology, making it increasingly pronounced, as Korean films become more technologically advanced and the production system globalized. To illustrate these effects, this article offers a textual analysis of Never Forever [Kim Jina 2007], which was the first U.S.-Korean co-production.
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서울 사회과학대학 > 서울 미디어커뮤니케이션학과 > 1. Journal Articles

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