오래된 음악에 대한 새로운 논쟁 - 역사주의적 연주와 음악사 쓰기

Abstract

Recently, musicologists try to understand and explain the HIP(historically informed performance) phenomenon in 20th century. This paper introduces some of the recent arguments suggested by leading scholars: Robert Morgan suggested that historical performance is flourished since we do not have our own musical tradition. While John Butt maintains that HIP is a postmodern phenomena, Richard Taruskin consider it modern. Laurence Dreyfus argues that HIP should be a hermeneutic activity that reveals the meaning of the early music and also prevents the fossilization of performance.