오래된 음악에 대한 새로운 논쟁 - 역사주의적 연주와 음악사 쓰기open accessLate Debates on Early Music: Historiography of HIP
- Other Titles
- Late Debates on Early Music: Historiography of HIP
- Authors
- 정경영
- Issue Date
- Dec-2008
- Publisher
- 한국음악학학회
- Keywords
- HIP; Modernism; Postmodernism; historiography; hermeneutics; HIP; Modernism; Postmodernism; historiography; hermeneutics; 역사주의적 연주; 모더니즘; 포스트모더니즘; 역사쓰기; 해석학
- Citation
- 音.樂.學, no.16, pp.33 - 52
- Indexed
- KCI
OTHER
- Journal Title
- 音.樂.學
- Number
- 16
- Start Page
- 33
- End Page
- 52
- URI
- https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/177505
- DOI
- 10.34303/mscol.2008..16.002
- ISSN
- 1229-5566
- Abstract
- Recently, musicologists try to understand and explain the HIP(historically informed performance) phenomenon in 20th century. This paper introduces some of the recent arguments suggested by leading scholars: Robert Morgan suggested that historical performance is flourished since we do not have our own musical tradition. While John Butt maintains that HIP is a postmodern phenomena, Richard Taruskin consider it modern. Laurence Dreyfus argues that HIP should be a hermeneutic activity that reveals the meaning of the early music and also prevents the fossilization of performance.
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