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종교적 상상력의 시적 승화Poetic Sublimation of Religious Imagination

Other Titles
Poetic Sublimation of Religious Imagination
Authors
유성호
Issue Date
Jun-2008
Publisher
문학과환경학회
Keywords
Religious Imagination; The Sacred; Sublimation; Allusion; Religious Imagination; The Sacred; Sublimation; Allusion; 종교적 상상력; 신성; 승화; 인유
Citation
문학과환경, v.7, no.1, pp 147 - 167
Pages
21
Indexed
KCICANDI
Journal Title
문학과환경
Volume
7
Number
1
Start Page
147
End Page
167
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/178230
DOI
10.36063/asle.2008.7.1.007
ISSN
1599-7650
2714-0563
Abstract
Poetry essentially chases recovery of 'basic unity', because poetry has a character to try combined phase from experience divided as the subject and the world. It was that an understanding method which the subject and the world have fixed continuance, we sought the retaking and recovering passage of lost and basic sense from not the subject's faith but relation of things' level. Religious imagination is a sharp example. Park I-do's poems were results on universal hope and wisdom of people. His poems always were linguistic figures closed by the original form of human and life. We could experience literary sublimation meeting the nature and human, and divine nature and human at a boundary of life from a pure, lone and seeking ego. Choi Mun-ja's poems were interested in poetizing religious imagination. Nowadays she expresses pain and hurt of life, she beautifully shows a symbolized ritual which she endures and cures them with religious imagination. When religious imagination expresses, it becomes a kind of poetic form. Then poem and religion have the same relation in language form. As the structural same, similarity of the world pursued and realized by it, suggest possibility of religious imagination in poems. These religious imagination comes into appear details such as spirituality pursuit, transcendence will, divine recovery, and existence confession. Park I-do and Choi Mun-ja are the perfect examples.
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서울 인문과학대학 > 서울 국어국문학과 > 1. Journal Articles

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