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바스키아(Basquiat) 회화를 응용한 힙합웨어 디자인The Hip-Hop Clothing Design Applying Basquiat's Painting

Other Titles
The Hip-Hop Clothing Design Applying Basquiat's Painting
Authors
장정임안민영이연희
Issue Date
Feb-2006
Publisher
복식문화학회
Keywords
그래피티; 힙합의류; 콜레브레이션; 쟝 미셸 바스키아; graffiti; hip-hop clothing; collaboration; Jean-Michel Basquiat
Citation
복식문화연구, v.14, no.1, pp.153 - 167
Indexed
KCI
Journal Title
복식문화연구
Volume
14
Number
1
Start Page
153
End Page
167
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/181752
ISSN
1226-0401
Abstract
The hip-hop, which began with subculture of black people in Harlem, have changed variously in musical history after the times, which has become the culture phenomenon that had controlled dancing, fashion, and further consciousness of the new generation around the world in 1990s. Since Jean Patou first used Graffiti on clothing in 1920s, graffiti art has been expressed through various methods in many designers' works. The purpose of this study is to develop 'The Hip-Hop' clothing design which express major images in works of Jean-Michel Basquiat, a representative painter of Graffiti art in modern fashion. The concept is Jean Casual Look representing Young Street Culture. Breaking from existing strong legitimate hip-hop styles, clothing design expresses funny, healthy, comfortable, and active feelings. Adobe Illustrator and Adobe Photoshop program were used to design Hip-Hop clothing. With the result that the images on Basquiat's works applied to the hip-hop clothing design, it is suggested that the works of artists are worthy of practical use as factors of a high value-added design, which corresponds with collaboration appearing in modern design variously.
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Lee, Youn Hee
COLLEGE OF HUMAN ECOLOGY (DEPARTMENT OF CLOTHING & TEXTILES)
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