재질, 조명 색온도, 조명 유형이 전시 공간의 감성적 경험에 미치는 영향The Interplay of Material, Lighting Color Temperature, and Lighting Type: Assessing Emotional Responses in Exhibition Environments
- Other Titles
- The Interplay of Material, Lighting Color Temperature, and Lighting Type: Assessing Emotional Responses in Exhibition Environments
- Authors
- 곽수빈; 임대건; 테려히나다리; 김현우; 퍼워주워노, 제이슨 필립; 최경아
- Issue Date
- Feb-2024
- Publisher
- 한국색채학회
- Keywords
- 전시 공간; 재질; 조명 색온도; 조명 유형; Exhibition Environments; Material; Lighting Color Temperature; Lighting Type
- Citation
- 한국색채학회논문집, v.38, no.1, pp 55 - 63
- Pages
- 9
- Indexed
- KCI
- Journal Title
- 한국색채학회논문집
- Volume
- 38
- Number
- 1
- Start Page
- 55
- End Page
- 63
- URI
- https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/196628
- DOI
- 10.17289/jkscs.38.1.202402.55
- ISSN
- 1226-6450
2733-872X
- Abstract
- Understanding the impact of material choice and lighting in exhibition spaces is crucial for enhancing visitor experience and emotional engagement. This study explores the influence of material, lighting color temperature, and lighting type on emotional responses in exhibition environments. Utilizing four materials (marble, metal, wood, plaster) and combinations of two lighting color temperatures (3500K, 5000K) and two lighting types (diffuse, spotlight), 16 virtual exhibition spaces were created for evaluation. The results indicate that wood material evokes relaxing and soft emotions, whereas metal is associated with an interesting and unique mood. Low color temperature lighting (3500K) was perceived as more unique and pleasant compared to neutral color temperature lighting (5000K). Diffuse lighting generally created a soft and relaxing environment. More importantly, interaction effects were observed between material, lighting color temperature, and lighting type, indicating that they need to be strategically chosen to elicit specific emotional experiences. This study underscores the importance of considering various factors in exhibition space design to enrich visitor experience and suggests further research with diverse materials, lighting conditions, and participant demographics to deepen understanding of these elements' interplay in exhibition settings.
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