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현대패션에 나타난 데 스틸(De Stijl)의 조형성 연구A Study on Formativeness of De Stijl in Contemporary Fashion

Other Titles
A Study on Formativeness of De Stijl in Contemporary Fashion
Authors
정연이박희정간호섭
Issue Date
2015
Publisher
한국복식학회
Keywords
De Stijl(데 스틸); elementalism(요소주의); limited color range(제한적 색채범주); minimal silhouette(미니멀 실루엣); neo-plasitcism(신조형주의); straight line & partition of plane(직선과 면분할)
Citation
복식, v.65, no.3, pp.62 - 75
Journal Title
복식
Volume
65
Number
3
Start Page
62
End Page
75
URI
https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/10840
DOI
10.7233/jksc.2015.65.3.062
ISSN
1229-6880
Abstract
The purpose of this study is to examine how fine art is received in fashion, and to contributeto the development of a creative fashion culture. In order to do this examination, this study focuseson the formative ideas of De Stijl which appeared in the early 20th century. In addition,this study presents examples of today’s fashion that still reflects the formative ideas of De Stijl. The De stijl movement did not last for a long time, but it has had significant influence on modernart, and has been a source of inspiration to fashion designers since the Mondrian look waspresented by Yves Saint Laurent in 1965. The study on the basis of De Stijl such as Neo-Plasticism of Piet Mondrian and Elementalismof Theo van Doesburg, has been conducted in this study. As a result, this study presents formativecharacteristics of the De Stijl group in fashion as follows: First, contemporary fashion designershave searched for proportion and thickness of lines and the side split using lines, a stylistictrait of an artist in the De Stijl group. Second, color scheme defined by the De Stijl grouphas been applied with modification to contemporary fashion. Modification and selective choice ofthe limited colors are for a contemporaneous style. Third, formative ideas of De Stijl, whichstrives to achieve the vision of Utopia, has turned up in contemporary fashion as a simple andminimal silhouette. Contemporary fashion has enhanced their aesthetic value by deriving not only a superficial expressionbut also plastic principle and philosophy from De stijl. It can be regarded as the fashion’sideal way to embrace style of art and it might be so described as a key to edifying artisticand creative attributes of fashion.
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College of Fine Arts > Department of Textile Art and Fashion Design > 1. Journal Articles

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