베이징 국제 섬유비엔날레에 관한 연구 -한국, 중국, 일본의 출품작을 중심으로-Research on the Beijing International Fiber Art Biennale -Focused on Entries from Korea, China and Japan-
- Other Titles
- Research on the Beijing International Fiber Art Biennale -Focused on Entries from Korea, China and Japan-
- Authors
- 정경연; 윤나영
- Issue Date
- 2020
- Publisher
- 한국패션비즈니스학회
- Keywords
- 섬유 미술; 베이징 국제 섬유 비엔날레; 문화적 특성; fiber art; Beijing international fiber art biennale; cultural characteristics
- Citation
- 패션 비즈니스, v.24, no.3, pp.114 - 120
- Journal Title
- 패션 비즈니스
- Volume
- 24
- Number
- 3
- Start Page
- 114
- End Page
- 120
- URI
- https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/12147
- ISSN
- 1229-3350
- Abstract
- This paper is a study of culture and identity expressed in textile art works of the age of globalization, centering on the Beijing International Fiber Art Biennale. This study began with the idea that globalism would develop regional cultural diversity as well as contribute to the field of art. In 2000, the Beijing International Fiber Art Biennale held its first large exhibition, and a total of 10 biennales were held from then until 2018. Get an understanding of the Beijing International fiber art Biennale, and select award-winning works from one to ten times to learn about cultural characteristics and identity. The analysis was based on the works of awards from China and Japan, including Korea, which are the center of East Asian culture. The Beijing International Fiber Art Biennale has steadily increased the number of participating countries, writers and works, and once again opened the stage for the revival of textile art following the Lausanne International Tapestry Biennale. Through the Beijing International Fiber Art Biennale, textile artists hope to promote world harmony in textile art, respect cultural diversity and conduct equal dialogue between East and West cultures.
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Collections - College of Fine Arts > Department of Textile Art and Fashion Design > 1. Journal Articles
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