사회적 비판으로서의 ‘합성적 체험’과 한국 동시대 미술의 대안적 미디어 실천자들“Synthetic Experience” as Social Commentary and Alternative Media Practitioners in Contemporary Korean Art
- Other Titles
- “Synthetic Experience” as Social Commentary and Alternative Media Practitioners in Contemporary Korean Art
- Authors
- 정연심
- Issue Date
- 2017
- Publisher
- 현대미술사학회
- Keywords
- Postproduction; Yeondoo Jung; Donghee Koo; Korean Media Art; Travelling Images; New Space; Post Internet Art; 포스트프로덕션; 정연두; 구동희; 한국미디어아트; 이동하는 이미지; 신생공간; 포스트 인터넷 아트
- Citation
- 현대미술사연구, no.42, pp.191 - 211
- Journal Title
- 현대미술사연구
- Number
- 42
- Start Page
- 191
- End Page
- 211
- URI
- https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/13323
- DOI
- 10.17057/kahoma.2017..42.008
- ISSN
- 1598-7728
- Abstract
- This article initially explores the way Korean visual artists Yeondoo Jung and Donghee Koo, and young “post internet” generational artists collect digital images and data floating around social networks in order to form an alternative narrative of mainstream social conditions and politics. These media artists in Korea employ a certain cinematic mode, producing experimental alternatives while responding to grand narratives on social media, from natural disasters, conflict, urban and economic crises, to more benign matters. Secondly, it analyzes the recent artistic activities and media practices by millennials in their use of technology, in particular, the SNS, while examining their unique ways of editing travelling digital images as social commentary of their own situations. Because the boundaries of the original and the copy are leaknot even visible on the digital screenthe artists nterplay with the conditions of the raison d’ȇtre of digitally travelling images. Finally, this essay introduces the newly built “alternative” spaces these young artists employ in addition to their media practices. Their working processes manipulate, distort, and crop digital images that roam the internet, thus producing sociopolitical comments on the artists’ generational predicaments. Consequently, the working processes addressed by these groups of artists in Korea mark theatrical manipulation and digital editing, and augment synthetic experience , the very title derived from Koo’s exhibition.
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Collections - College of Fine Arts > Department of Art Studies > 1. Journal Articles
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