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공동저작물 및 공동저작인접물과 관련한 몇 가지 고찰Some Studies on Joint copyright and Joint Neighboring right

Other Titles
Some Studies on Joint copyright and Joint Neighboring right
Authors
오승종
Issue Date
2011
Keywords
공동저작물; 공동저작인접물; 공동창작; 공동실연; 공동저작자; 공동실연자; 공동저작권; 공동저작인접권; joint copyright work; joint neighboring rights work; joint creation; joint performance; joint creator; join performer; joint copyright; joint neighboring rights
Citation
창작과 권리, no.65, pp.89 - 128
Journal Title
창작과 권리
Number
65
Start Page
89
End Page
128
URI
https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/20036
ISSN
1226-0509
Abstract
The creation or performance of copyright work is increasingly done by a join action of a number of persons rather than a single person in reflecting the development of society and generalization of division and collaboration of labor. In particular, a recent tendency of becoming large in size is a phenomenon commonly occurred in the field of almost every copyright work and neighboring rights work. The absence of precise and concrete principle of law related to joint copyright work and joint neighboring rights work would lead to confusion in many ways to not only creator(s) and performer(s) but also those distributing and using it. Nevertheless, it is true that a thorough review on the principle of joint copyright work and joint neighboring rights work has not been sufficiently done by Korean copyright law until recently. In particular, the amendment of the Copyright Act in 2006 has allowed performer(s), one with neighboring rights with moral rights almost equivalent to that of author(s). In this respect, sufficient studies on the rights of joint performers including the exertion of rights and remedy should be necessarily done. The current paper intends to express what author concludes on the legal issues, in particular requisite for establishment and exertion of rights and the remedy for infringement of rights related to joint copyright work and joint neighboring rights work in analyzing the enactment of foreign regulations and domestic and foreign theories and precedents thereof on the basis of the regulations relevant to the Copyright Act.
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