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동북아시아지역의 전통문양을 응용한 패션디자인 연구 - 한국, 중국, 일본의 16~19세기 복식을 중심으로 -A Study on Fashion Design Applying Traditional Patterns in Northeastern Asia - Focusing on the Costumes of Korea, China and Japan in the 16th-19th Centuries -

Other Titles
A Study on Fashion Design Applying Traditional Patterns in Northeastern Asia - Focusing on the Costumes of Korea, China and Japan in the 16th-19th Centuries -
Authors
김지현간호섭
Issue Date
2009
Publisher
한국복식학회
Keywords
Northeast Asia(동북아시아); traditional patterns(전통문양); forming(형태성); symbolism(상징성)
Citation
복식, v.59, no.9, pp.1 - 15
Journal Title
복식
Volume
59
Number
9
Start Page
1
End Page
15
URI
https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/22069
ISSN
1229-6880
Abstract
This study aimed to create a new costume design suitable for publicizing our traditional patterns in the world by using the traditional patterns of Northeast Asia region. The result of this study can be summarized as follows. First, China is characterized by a strictly fixed configuration and a realistic description, Japan a simplistic modality and an abstract-geometrical pattern, and Korea a eclectic type, whole-pattern, and part-pattern. This study aimed to make the pattern by using harmoniously these characters. Second, Korea, China, and Japan have many similarities concerning a symbolism and a type of pattern. In the modern fashion, they often use dragon patterns, various flower patterns like peony, plum blossom, or mum, and geometrical patterns. This study focused on expressing patterns which contain the ornamental symbolism of Oriental Look, aside from an existing symbolism, and show a traditional sentiment of Northeast Asia. The method for expressing traditional patterns usually included weaving, dyeing, embroidery, or gold foil. Although these methods have been used in all the three nations, even rubbed metal foil and patchwork have been widely used in Japan.
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College of Fine Arts > Department of Textile Art and Fashion Design > 1. Journal Articles

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