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보들레르의 미적 관점에 의한 예술과 패션디자인Art and Fashion Design Based on Charles Baudelaire's Aesthetic Perspective

Other Titles
Art and Fashion Design Based on Charles Baudelaire's Aesthetic Perspective
Authors
김영선금기숙
Issue Date
2008
Publisher
한국복식학회
Keywords
modernity(현대성); category of beauty(미의 범주); artificial beauty(인공미); strangeness(기이함); new horizon(새로운 지평); modernity(현대성); category of beauty(미의 범주); artificial beauty(인공미); strangeness(기이함); new horizon(새로운 지평)
Citation
복식, v.58, no.1, pp.17 - 32
Journal Title
복식
Volume
58
Number
1
Start Page
17
End Page
32
URI
https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/23383
ISSN
1229-6880
Abstract
This study focuses on the analysis of Baudelaire’s aesthetic perspective which has established a theoretical basis on research of the critical reviews’ salon exhibitions as written by Baudelaire. Charles Pierre Baudelaire(1821-1867) having lived during the latter part of Neo-classicism and the era of Romanticism and Impressionism, Baudelaire displayed opposition to customary realities such as social ideology or religious authority that suppressed human nature. Also he pioneered a new genre known as art criticism and wrote much that provided important insights on the essential elements of artistic work, modernity and trend, as well as art definition and art categories. The aesthetic perspective and creative spirit were formed by Baudelaire, during his age were also reconfirmed in the successive ages of modernism and postmodernism. As such, this study sheds light on how Baudelaire’s aesthetic perspective was not only temporarily assertion but it is consistently applied to modern art and fashion area. What is more important that, Baudelaire admired new artificial beauty that is created by the human soul liberated from natural instincts or desires. Especially, informed by strangeness and distinctiveness, Baudelaire’s view of fashion ran along the same vein as his view of art, and these views form the basis of that creative spirit which situated western fashion on a center of the world. In conclusion, the research on Baudelaire’s aesthetic perspective will reaffirm a firm awareness of the creative spirit essential to globally-oriented creative artists and designers who work within the circumstance of the 21st century, a time when the paving of new aesthetic paths is necessary. The research also offers a clear understanding of the aesthetic values demanded by this age.
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College of Fine Arts > Department of Textile Art and Fashion Design > 1. Journal Articles

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