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세즈마 카즈요(Kazuyo sejima)의 ‘21세기 미술관’에 표현된 공간형식과 프로그램A Study of Expressive space form & program in 21st Contemporary Art Museum, Kanazawa

Other Titles
A Study of Expressive space form & program in 21st Contemporary Art Museum, Kanazawa
Authors
송정화임채진
Issue Date
2005
Publisher
한국문화공간건축학회
Keywords
Kazuyo Sejima; 미술관; 세즈마 카즈요; 프로그램; 다이아그램
Citation
한국문화공간건축학회논문집, no.13, pp.71 - 80
Journal Title
한국문화공간건축학회논문집
Number
13
Start Page
71
End Page
80
URI
https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/25445
ISSN
1738-818X
Abstract
This study is to analyze and refer the space form and programs expressed by Contemporary Art Museum, Kanazawa. The programmatic principle expressed in her Architectural Project was elicited into Space Form through the two contrary courses, Perceptual Approach and Phenomenal Approach, starting from the Relationship with Action, Boundary and Field. I divided her Space Program into 5 types and analyzed the case of application through her Project of Space Culture and studied how Contemporary Art Museum, Contemporary Art Museum, Kanazawa was developed in the end. First, his own position can be seen in bird's eyesight by expanded cognitive boundary. Second, Her style about building of parks represents expanded notion like the village with labyrinthine particularity and concise value. third, The new Space Program, centrifugal approach has become known here, which presents the new notion about Cultural Space in the 21st information age. Contemporary Art Museum, Kanazawa can be a surplus rambling demanded to culture space by digital information age, emerging boundary by the rapidity of choice and flexible Boundary, universality anybody can approach, and a space coincided to the factors of private and public places where the values of individuals exist and can be shared with others, and it has presented a new paradigm in building the culture space.
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