현대 건축에서 나타나는 언캐니적 특성에 관한 연구

Abstract

Unlike the past, when functions and rationality were mainly achieved, the development of technology and existingideas were destroyed, so individuals freely expressed their individuality and recognized buildings as various perceptions andinterpretations through psychological, experience and knowledge. The purpose of this study was to present the possibility ofanalyzing emotional elements accepted by individuals through their original senses in buildings with shapes that are provocativeand difficult to recognize based on the perception system of psychoanalytic objects. Based on psychoanalytic Sigmund Freud'sUncanny theory, emotional psychology such as fear and anxiety is defined as a concept that operates as a cognitive systemfor objects. Common phenomena were examined by comparing intellectual uncertainty, unfamiliarity, and trauma, which are theconditions of occurrence of uncanny, with the expression characteristics of contemporary architecture. By removing the existingmeaning and functional system from architecture, intellectually uncertain buildings showed physical properties, constructivity,epidermis, and strange expression characteristics of daily life and the movement of buildings to death impulses, wecommunicated a fixed way of thinking. Due to the development of new expression and structural freedom, it became difficult toanalyze the outer skin of the building and the existence of the structure with our personal experience and knowledge, and thephenomena that cannot be interpreted structurally and systematically made it possible to communicate new meanings. Theexistence of contemporary architecture as aesthetics approaches us in a disordered, aesthetic, and intense form, in which ourentrenched thinking is dismantled through the concept of psychoanalytic uncanny and made it work as a principle of order,making it visible to the expression and invisible of architecture. Architectures that have always existed in us and appeared inthe world have been interpreted as unconscious and unfamiliar due to freedom of expression as ideological theories, so thatthey can be accepted as their own experience and knowledge, not as a result of subjective buildings.