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동남아 전통건축의 유형별 특성이 적용된 현대패션연구A Study on Modern Fashion Applying the Characteristicsof the Traditional Architecture Types in Southeast Asia

Other Titles
A Study on Modern Fashion Applying the Characteristicsof the Traditional Architecture Types in Southeast Asia
Authors
윤지영박희정간호섭
Issue Date
2016
Publisher
한국패션비즈니스학회
Keywords
동남아시아; 건축; 구조; 조형성; 현대패션; Southeast Asia; architecture; structure; formativeness; modern fashion
Citation
패션 비즈니스, v.20, no.2, pp.46 - 58
Journal Title
패션 비즈니스
Volume
20
Number
2
Start Page
46
End Page
58
URI
https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/8605
DOI
10.12940/jfb.2016.20.2.46
ISSN
1229-3350
Abstract
Architecture and Fashion mutually affects the shape and appearance of the other as an art of space according to the hybrid trends. Therefore, the purpose of this study is to find the correlations between the characteristics of traditional architecture types in Southeast Asia and modern fashion. Firstly, characteristics of the types obtained through the theoretical consideration of Southeast Asian architectural tradition include vertical, symmetrical, geometrical, epeated and continual structure. On the basis of these characteristics analyzed from 2013's S/S to 2015's F/W collection of Alexander McQueen, Gareth Pugh, Victor & Rolf, designers with strong creative and experimental minds who juxtaposed designs of two opposing points as well as hybrids since 2000, the following formativeness exists. First, the vertical structure of high floor is represented as a straight silhouette, a color contrast, vertical cut or wrinkle. Hence, it impresses verticality, rhythm, etc. Second, symmetrical structure of the gable roof is represented as a trapezoidal shape starting from the shoulder line or neck line widened into sleeves, impressing symmetry, dynamism, etc. Third, the geometry of the assembled is represented as vertical and horizontal bands or pattern pieces like puzzle, impressing geometry, three-dimensional, etc. Fourth, repeated structure of the weaving pattern is represented as repetitive patterns of woven fabric or printing techniques. Thus, it impresses repeatability, harmony, etc. And lastly, continuous group structure is represented as a connection of collars or hem-lines, as well as a crossing of fabric that impresses continuity, liquidity, etc.
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College of Fine Arts > Department of Textile Art and Fashion Design > 1. Journal Articles

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