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유럽에서의 자수의 변천Transition of Embroidery in Europe

Other Titles
Transition of Embroidery in Europe
Authors
이경희
Issue Date
2009
Publisher
한국의류산업학회
Keywords
embroidery; transition; Europe; England; France
Citation
한국의류산업학회지, v.11, no.2, pp.231 - 241
Journal Title
한국의류산업학회지
Volume
11
Number
2
Start Page
231
End Page
241
URI
https://scholarworks.bwise.kr/kumoh/handle/2020.sw.kumoh/2874
ISSN
1229-2060
Abstract
Embroidery is one of the oldest methods of textiles surface decoration. The masterpiece “Tapisserie de Bayeux,” is one of the earliest Medieval embroideries. Embroidery was popular on a broad scale with introduction of what was called Opus Anglicanum(“English work”) in the 13th century. France had been producing sophisticated embroideries since the 16th century. England was the country producing the greatest quantity of embroideries of the best quality in the 17th century. Until the 17th century, the Church was the most important patron of needlework. Then a shift in emphasis occurred towards the domestic embroidery. English 17th century domestic embroidery reached a high point of technical brilliance and charm. In France, embroidery was produced on hangings as well as costume. 18th century interest in embellishing the domestic environment, embroideries became much more finely detailed than those of the 17th century with the use of finer wool and silk threads. French silk were the finest in the world, and their embroidery was arguably equally fine both in furnishing textiles and on costumes. “Art Needlework” was the major movement in embroidery in the late 19th century. The Royal School of Needlework was founded in 1872, followed by similar institutions around Britan. Splendid fashion embroidery of French haut-couture that was represented to Lesage atelier in 20th century.
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