유럽에서의 자수의 변천Transition of Embroidery in Europe
- Other Titles
- Transition of Embroidery in Europe
- Authors
- 이경희
- Issue Date
- 2009
- Publisher
- 한국의류산업학회
- Keywords
- embroidery; transition; Europe; England; France
- Citation
- 한국의류산업학회지, v.11, no.2, pp.231 - 241
- Journal Title
- 한국의류산업학회지
- Volume
- 11
- Number
- 2
- Start Page
- 231
- End Page
- 241
- URI
- https://scholarworks.bwise.kr/kumoh/handle/2020.sw.kumoh/2874
- ISSN
- 1229-2060
- Abstract
- Embroidery is one of the oldest methods of textiles surface decoration. The masterpiece “Tapisserie de Bayeux,”
is one of the earliest Medieval embroideries. Embroidery was popular on a broad scale with introduction of what
was called Opus Anglicanum(“English work”) in the 13th century. France had been producing sophisticated embroideries
since the 16th century. England was the country producing the greatest quantity of embroideries of the best quality in
the 17th century. Until the 17th century, the Church was the most important patron of needlework. Then a shift in emphasis
occurred towards the domestic embroidery. English 17th century domestic embroidery reached a high point of technical
brilliance and charm. In France, embroidery was produced on hangings as well as costume. 18th century interest
in embellishing the domestic environment, embroideries became much more finely detailed than those of the 17th century
with the use of finer wool and silk threads. French silk were the finest in the world, and their embroidery was arguably
equally fine both in furnishing textiles and on costumes. “Art Needlework” was the major movement in embroidery
in the late 19th century. The Royal School of Needlework was founded in 1872, followed by similar institutions around
Britan. Splendid fashion embroidery of French haut-couture that was represented to Lesage atelier in 20th century.
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