김해 김록주 명창 연구A Study on Pansori Mistress Gim-Hae Kim Rok-Ju
- Other Titles
- A Study on Pansori Mistress Gim-Hae Kim Rok-Ju
- Authors
- 김석배
- Issue Date
- 2008
- Publisher
- 국어교육학회(since1969)
- Keywords
- 김해 김록주(Gim-Hae Kim Rok-Ju); 김임전(Kim Im-Jeon); 생몰연대(the birth and death date); 예술활동(art activity); 송만갑(Song Man-Gab); 권번(a professional kisaeng institution); 다동기생조합(Dadong Kisaengjohap); 한남권번(Hannam Gwonbeon); 대구 달성권번(Dalseong Gwonbeon in Daegu); 더늠(deonum); < 중타령> (< Jungtaryeong> ); < 소상팔경> (< Sosangpalgyeong> ); 창법(singing method)
- Citation
- 국어교육연구, no.42, pp.323 - 348
- Journal Title
- 국어교육연구
- Number
- 42
- Start Page
- 323
- End Page
- 348
- URI
- https://scholarworks.bwise.kr/kumoh/handle/2020.sw.kumoh/3249
- DOI
- 10.17247/jklle.2008..42.323
- ISSN
- 1225-3014
- Abstract
- The purpose of this study is to explore the birth and death date, art activity, and art world of Pansori Mistress Gim-Hae Kim Rok- Ju who typical in the 1920s. The results are summarized as follows.First, Kim Rok-Ju was born on April 3, 1898 in Gim-Hae, Gyungnam Province, and died on January 10, 1928(December 18, 1927 by lunar calendar) at the age of 30 in Daegu. Her real name was Kim Im- Jeon. Today she is better known as Kim Rok-Ju rather than by her real name. Second, Kim Rok-Ju was taught by Kim Jeong-Mun at the age of ten, and became a Pansori Mistress after taught by Song Man- Gab in the mid-1910s. She once belonged to a professional kisaeng institution, the Dadong Kisaengjohap and Hannam Gwonbeon. She did a variety of performances with Lee Hwa-Jung-Seon, and later she was a teacher at the professional kisaeng institution, Dalseong Gwonbeon in Daegu. She became famous by having her Pansori recorded and broadcasted. Third, Kim Rok-Ju was considerably salient in artistic perfection in consideration of her short life. Especially, she was excellent in <Chunhyang-ga>, and her deonum is remarkable in <Pyunsichun>, <Sosangpalgyeong>, <Sarang-ga>, and <Jungtaryeong>. Kim Rok- Ju was a born singer, and her vocal sound was hard but beautiful. Her singing method was very strict in composition, her singing was extremely temperate and consistently of tong tone.
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