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身体“躲藏”与形象建构——评严歌苓的『金陵十三钗』Body “Hiding” and Image Construction——on Yan Geling's The Flowers of War

Other Titles
Body “Hiding” and Image Construction——on Yan Geling's The Flowers of War
Authors
王慧开임상훈
Issue Date
2019
Publisher
인문학연구소
Keywords
Yan Geling; The Flowers of War; Avoiding Hiding; Prostitute; Images; 严歌苓; 『金陵十三钗』; 躲; 藏; 妓女; 形象
Citation
순천향 인문과학논총, v.38, no.2, pp 29 - 42
Pages
14
Journal Title
순천향 인문과학논총
Volume
38
Number
2
Start Page
29
End Page
42
URI
https://scholarworks.bwise.kr/sch/handle/2021.sw.sch/5134
DOI
10.35222/IHSU.2019.38.2.29
ISSN
1738-2173
2713-7325
Abstract
严歌苓作为优秀的海外华人作家,其创作的多变与成功,屡屡引起文坛轰动。严歌苓以跨文化的视角考量东西方的历史文化,其作品对女性形象的建构与女性命运的书写,尤其引人关注。严歌苓在《金陵十三钗》中塑造了一群在战时状态中保全性命的妓女形象,这些妓女们面对战争,既有身体的躲避,也有身份的隐藏,表现出开始的胆小莽撞、放浪沉沦,发展到流露善良真情最后主动献身牺牲的无私伟大的边缘女性形象,由自私、风流低贱的“妖女”变化为善良复仇的“烈女”及聪颖崇高的“圣女”,完成了独特的历史文学边缘女性形象建构。将文学历史中的“妖女”、“烈女”和“圣女”的妓女形象融为一体,展现出立体化的妓女群像。严歌苓的这种历史讲述和边缘女性形象创造与建构,都是超越历史和跨越国界的永恒真诚的人性书写。
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