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하르트만의 미학개념도구에 의한 칸딘스키 예술론과 음악적 추상화의 이해

Authors
조정옥[조정옥]
Issue Date
2016
Publisher
연세대학교 인문학연구원
Keywords
하르트만; 칸딘스키; 추상화; 음악; 푸가; Hartmann; Kandinsky; abstract painting; music; fuge
Citation
유럽사회문화, no.16, pp.231 - 260
Indexed
KCI
Journal Title
유럽사회문화
Number
16
Start Page
231
End Page
260
URI
https://scholarworks.bwise.kr/skku/handle/2021.sw.skku/41454
ISSN
2005-8055
Abstract
1. The esthetics of Hartmann and theory of Art in Kandinsky has many commonness. Art(creation) is a materialization of spirit, artefact is objetificated spirit . And appreciation is a reading of the spirit in artefact. So esthetical concepts of Hartmann can be applied to Art of Kandinsky. 2. Abstract paintings of Kandinsky imply spiritual contents and representation of general essence of universe as music. Accordingly abstract painting can be understood as music. Although Hartmann don't deal with abstract paintings, principle of music of Hartmann can be applied to understanding of abstract paintings. 3 'Fuga' of Kandinsky is analyzed in this research with foreground and background concepts of Hartmann and the principle of fuga. Two line in foreground, that crossing each other, mean the opposition of good and evil, now(world-war) and future(hope and utopia).
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Liberal Arts > Department of German Language and Literature > 1. Journal Articles

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