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재북시인 민병균 연구A Study on the Byung Kyoon Min dwelling in North Korea' poet

Other Titles
A Study on the Byung Kyoon Min dwelling in North Korea' poet
Authors
김인섭
Issue Date
Sep-2007
Publisher
국어국문학회
Keywords
Byung Kyoon Min’s Poetry Collection; the History of North Korea' s Literuture; epic poetry; the government’s literature policies; during the 1950s; a purgee poet; Byung Kyoon Min’s Poetry Collection; the History of North Korea' s Literuture; epic poetry; the government’s literature policies; during the 1950s; a purgee poet; 민병균시선집; 북한문학사; 서사시; 당의 문예정책; 1950년대; 숙청 시인
Citation
국어국문학, no.146, pp.481 - 508
Journal Title
국어국문학
Number
146
Start Page
481
End Page
508
URI
http://scholarworks.bwise.kr/ssu/handle/2018.sw.ssu/18017
DOI
10.17291/kolali.2007..146.014
ISSN
0451-0097
Abstract
Byung Kyoon Min began writing poems in North Korea in the 1930s and remained in North Korea after the Korean Independence to lead North Korea’s literature sector after Korea’s division. He made positive contributions to establishing new themes and genres of poetry in North Korea’s literature. This study focused on exploring his life and importance in North Korea’s literature. For this purpose, substantial facts were gathered from various resources. North Korea divides its history of literature after Korea’s division into 1) post-independence establishment, 2) the Korean War period, and 3) post-war recovery and socialist foundation. Byung Kyoon Min’s Poetry Collection, published in 1958, classifies poetry according to these three periods of North Korea’s literature. This study examined how his poetry changed in each period and concluded that Byung Kyoon Min complied with the government’s literature policies and lead the country’s history of literature. In this respect, examining this poet related to understanding foundation and development of North Korea’s literature. Most studies on North Korean literature focus on the flow of development and modern literature. It is mostly because it is very difficult to find resources on North Korean literature. Therefore, we lack studies on poets from the late 1940s and the 1950s when North Korean literature formed and developed. This study is significant because it closely examined the poetic creations of one of North Korean poets who were active in the field. In the future, it would be necessary to expand the scope of studies on North Korean poets and poetry for better understanding of North Korean literature.
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