ScholarWorks@Soongsil University: Yoon, Joonsung

Detailed Information

Yoon, Joonsung (윤준성)

College of Information Technology (Global School of Media)

Research Area: 미디어아트, 바이오아트, 예술과 테크놀로지, Media Art, Bio Art, Art and Technology

Tel
Homepage

ResearcherID ORCiD Scopus Google Scholar ID ResearchGate

Keyword

Media Art:8||media art:8||미디어아트:7||상호작용성:7||interactive art:6||Artificial Life Art:5||new media:5||Interactivity:5||interface:4||interactivity:4||brand:3||WWW:3||스토리텔링:3||인공생명예술:3||뉴미디어:3||the real:3||Storytelling:3||image:3||virtual reality:3||Media Aesthetics:3||augmented reality:3||인터랙티브 아트:3||representation:2||Aesthetic Object:2||인공생명:2||expansion:2||experimental culture contents:2||Artificial Life:2||sitespecific:2||인터페이스:2||social state:2||space:2||spacespecific:2||Interaction:2||Interactive Art:2||telematic Art:2||telematics:2||text:2||문화원형:2||game contents:2||문화콘텐츠:2||generative aesthetics:2||google earth:2||virtual realityComputer patterrn system:2||Cinema:2||Telematic Interface:2||visual truth:2||가독성:2||cognitive science:2||hybrid:2||identity:2||Autonomy:2||사진:2||Digital Mirror:2||information:2||information behaviour:2||Mirror step.:2||Transcode(트랜스코드):2||공공예술:2||computational media:2||Mobile Terminal(모바일 단말기):2||해프닝:2||cultural archetype:2||legibility:2||legibility on monitor:2||linguistics:2||Hybrid:2||Zograscope:2||Real:2||Multimedia Presentation(멀티미디어 프리젠테이션):2||advertisement:2||digital environment:2||monitor typography:2||mutual relationship:2||new media art:2||LCD TFT:2||digital photogroaphy:2||Rhetoric:2||Cultural content:2||operative and informational material:2||art material:2||영화:2||CRT:2||예술 재료:2||Nintendo Wii:2||photographic concept:2||photography:2||physical interactive interface:2||public art:2||reality:2||Study Time Management Service(STMS:1||The Photo and The Comics:1||Thirst:1||Tibet:1||Training Effect:1||ViewerMedia Center:1||We&apos:1||YouTube:1||actualization:1||aesthetics of disappearance:1||androgyny:1||art:1||artificial life:1||artificial life art:1||assemblage remediate narrative structure black swan birdman:1||automatic creation:1||autonomous system:1||bio aesthetics:1||bio art:1||bioart:1||biological variation:1||celluloid film:1||chance:1||coexistence:1||collaboration:1||communication:1||community:1||community art:1||competitiveness:1||contemporary photography:1||contingency:1||cultural evolution:1||cultural industry:1||data mining:1||decolonization:1||diamond model:1||digital performance:1||digital technology:1||disappearance:1||diversity:1||doubleness of technology:1||drone event:1||embodied sense:1||emergence:1||entropy:1||experimental film:1||film:1||fluidity:1||frozen happening:1||game:1||generation:1||happening:1||happenings:1||human computing:1||humanandtechnology:1||identity system:1||illusion:1||image storytelling:1||information design:1||information space:1||interaction design Model Human Processor DN design principles information entropy predictability user capacity:1||interactive SwarmArt:1||interacyivity:1||intermediacy:1||local culture:1||materiality and virtuality:1||media:1||meme:1||meme complex:1||memoryconstruction:1||new media performance:1||noise:1||old tree:1||online game industry:1||overlap:1||participatory art:1||performing arts:1||politics and the aesthetic:1||publicity:1||ritual:1||rule:1||s:1||screen:1||suture:1||tableaux vivant:1||tactile sensibility:1||target:1||the Epic Character:1||tolerancetactic:1||transmission error noise digital photography glitch contingency:1||unconsciousness:1||unpredictability:1||virtuality:1||visual impairment:1||가상성:1||가상현실컴퓨터 패턴인식 시스템:1||가타리:1||거시미학과 미시미학:1||거울단계.:1||게임:1||경쟁력:1||고통:1||공간:1||공간특정성:1||공공성:1||공동체:1||공연:1||공연예술:1||공존:1||과몰입(Excess Flow):1||광고:1||교육:1||구글어스:1||규칙:1||기술의 이중성:1||기억 구성:1||기호학적 도상:1||노이즈:1||논 휴먼 기계장치:1||논 휴먼 다큐멘터리:1||논 휴먼 이미지:1||논 휴먼 카메라:1||뉴 다큐멘터리:1||뉴 미디어 아트:1||뉴미디어 예술:1||뉴미디어 퍼포먼스:1||뉴미디어아트:1||다양성:1||다이아몬드 모델:1||다큐멘터리:1||다큐멘터리 사진:1||대상:1||대전 비엔날레 2018 [바이오]:1||독일:1||되기 이론:1||드론 이벤트:1||들뢰즈:1||디지털 거울:1||디지털 기술:1||디지털 사진:1||디지털 퍼포먼스:1||디지털 환경:1||라깡:1||라라 크로프트:1||라제떼:1||로버트 프랭크:1||매체:1||매체미학:1||멜랑콜리 정서:1||멜랑콜리 파토스:1||명암대비:1||모니터 디스플레이:1||모니터 타이포그래피:1||무의식:1||문화기술:1||문화산업:1||문화예술교육:1||문화적 진화:1||물질성과 가상성:1||미적대상:1||미학적 힘:1||밈:1||밈 복합체:1||바이오 아트:1||바이오아트:1||박쥐:1||배치재매개서사구조블랙스완버드맨:1||보호수:1||봉합:1||브랜드:1||사라짐:1||사라짐의 미학:1||사용자 수용력:1||사진과 만화:1||사진교육:1||사진적 개념:1||사회연결망 분석:1||사회적 상황:1||상호관계:1||상호매체성:1||상호소통성:1||상호작용적 예술:1||생명 미학:1||생물학적 변이:1||생성 미학:1||생성미학:1||서사적 캐릭터:1||세바스치앙 살가도:1||센소리엄:1||셀룰로이드 필름:1||소셜네트워크:1||소셜네트워크 시각화:1||소셜아트:1||소통:1||수사:1||스크린:1||시각장애:1||시각적 진실:1||시네마:1||실재:1||실험영화:1||아우라:1||아이덴티티:1||알랭 레네:1||양성성:1||어른거림:1||어린이 사진교육:1||언어학:1||엔트로피:1||예술:1||예측가능성:1||예측불가능성:1||우연:1||우연성:1||원형:1||유동성:1||유튜브:1||이미지:1||이미지 스토리텔링:1||인간 정보 처리 모형:1||인공지능:1||인지과학:1||인터랙션 디자인:1||인터렉티브 작품:1||자동 창작:1||자율성:1||자율적 시스템:1||장소특정성:1||재현:1||전송오류노이즈디지털 사진글리치우연성:1||정보 생성:1||정보공간:1||정보디자인:1||정보량 엔트로피:1||정보미학:1||정보시각화:1||정보활동:1||정신분석학:1||정원 가꾸기 사이버네틱스:1||제의:1||젠2:1||조그라스코프:1||조작적이며 정보적인 재료:1||중국 요리:1||중첩:1||지역문화:1||질적비교분석:1||짧은 동영상:1||참여:1||참여적 예술:1||창발:1||체험형 문화콘텐츠:1||체현감각:1||촉감각:1||칼 융:1||커뮤니티 아트:1||타블로 비방:1||텍스트:1||텔레마틱 예술:1||텔레마틱 인터페이스:1||텔레마틱스:1||티베트:1||프로즌 해프닝:1||하이브리드:1||하이퍼매개:1||학습시간 관리서비스):1||해상도:1||행위:1||현실:1||현행화:1||혼성:1||홍상수:1||확장:1||환영:1||&apos:1||휴머니즘:1||(or memeplex):1||12 Monkeys:1||12마리 원숭이:1||AI:1||ANT(행위자 연결망 이론):1||Action:1||Aesthetic power:1||Alain Renais:1||Archetype:1||Art Game(아트게임):1||Art materials:1||Arts and Culture Education:1||Aura:1||Carl Jung:1||China Joy:1||Chinese Cooking:1||Cultural Archetype:1||Culture Content:1||Culture Technology:1||DN 디자인 원칙:1||Daejeon Biennale 2018 [BIO]:1||Deleuze &:1||Despair:1||Digital game:1||Documentary:1||Documentary photography:1||Education:1||Evolution:1||External Flow Environment(외적 몰입 환경):1||Game Aesthetics(게임 미학):1||Game Art(게임아트):1||Game Risk(게임 위험):1||Game rules:1||Gardening Cybernetics:1||Gen2:1||Generative Aesthetics(생성 미학):1||Germany:1||Guattari:1||Humanism:1||Hypermediacy:1||Iconography:1||Information Aesthetics:1||Information Aesthetics(정보 미학):1||Information Visualization:1||Interactive art:1||Interactive artwork:1||Internal Flow State(내적 몰입 상태):1||Keywords : Gamification in Education(교육용 게이미피케이션):1||La jetée:1||Lacan:1||Lara croft:1||Legibility Requirements:1||Macro and Microtypography:1||Media:1||Media Literacy:1||Media Welfare:1||Melancholic Pathos:1||Melancholic pathos:1||Meme(밈):1||Monitor Display:1||New Documentary:1||New Media Art:1||New media:1||NonHuman Camera:1||NonHuman Documentary:1||NonHuman Image:1||NonHuman Machine Device:1||Oneperson Media:1||Participation:1||Performing Art:1||Photo Education:1||Photo Education for Children:1||Photography:1||Psychic Antientropy(심리적 반엔트로피):1||Psychoanalysis:1||Public art:1||Qualitative Comparative Analysis:1||Remediation(재매개):1||Reverse Control(역제어):1||Robert Frank&apos:1||SWTO:1||Sang Soo Hong:1||Sebastião Salgado:1||Sensorium:1||Short Video:1||Social Network:1||Social Network Analysis:1||Social Network Visualization:1||Social art:1||

RSS_1.0 RSS_2.0 ATOM_1.0

Soongsil University Library 369 Sangdo-Ro, Dongjak-Gu, Seoul, Korea (06978)02-820-0733

Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.

Detailed Information

Keyword

BROWSE