ScholarWorks@Soongsil University: Lee, Kyung Jae

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Lee, Kyung Jae (이경재)

College of Humanities (Department of Korean Language & Literature)

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이광수:8||베트남전:5||김사량:4||여성:4||Kim Hoon:3||김훈:3||Pyongyang:3||민족:3||한설야:3||표상:3||공동체:3||representation:3||평양:3||죽음:3||대항기억:2||double:2||신채호:2||Semiotic Quadrangle:2||Child:2||nation:2||Seoul:2||동화:2||nationalism:2||가부장제:2||만주:2||You JaeYong:2||Youth:2||6.25 War:2||Shock Work:2||Kim Saryang:2||Han Sul Ya:2||productivism:2||Snob:2||An Intellectual:2||무정:2||Lee Kwangsoo:2||문화변용:2||유정:2||Actant Model:2||공간:2||이기영:2||공식기억:2||향수:2||Space:2||민족주의:2||Speaking:2||Growth:2||Foreign Influence:2||Korean:2||scapegoat:2||근대:2||1970s:2||Symptom:2||Han:2||일제 말기:2||Place:2||베트남인:2||The People:2||장소:2||Possession:2||재일조선인:2||전사:2||Productivity First Ideology:2||local:2||분리:2||Nation:2||National Liberation:2||community:2||Jesus:2||韓雪野:2||색향:2||젠더:2||생산력주의:2||서울:2||Nationalism:2||Vietnam War:2||the mechanism of imitation:2||주변화:2||death:2||mimetic desire:2||Vietnamese:2||City of Gisaengs:2||Manchuria:2||Hospital:2||스노비즘:2||스놉:2||Lee KyungJae:1||Lee Sunshin:1||LeeKiYoung:1||Love:1||Love narrative:1||Male Figures:1||Manchukuo:1||Manchurian Incident:1||Manhattan:1||Marginalization:1||Mercenary:1||Military Times:1||Min Jin Lee:1||Ming Dynasty and Ming People:1||Modern:1||Modern Era:1||Moo Jeong:1||Moojeong:1||Mother tongue:1||Multicultural Novel:1||Nam Kwangwoo:1||National Socialism:1||Native Speaker:1||Nature:1||Negation:1||North and South Korea:1||Northern region:1||Nostalgia:1||Official Memory:1||Old Age Novel:1||Pachinko:1||Park Jinsa:1||Park Wan Seo:1||Park Young Jun:1||Park YoungHee:1||Patriarchal System:1||Per spective on education:1||Perspective on women:1||Rebirth:1||Representation:1||Resistant Memory:1||Sam sara(eternal cycle of birth:1||Sanctity:1||Saryang Kim:1||Segregation:1||Sense:1||Shin Chaeho:1||Shin－Chae－Ho:1||Slashandburn farmers:1||Slow Bullets:1||Snobbism:1||Soldier:1||South Korean Revolutionaries:1||Stiffness:1||Stone Fights:1||Suburb:1||Symmetry:1||Taebaek Mountains:1||The Imaginary:1||The Shadow of Weapons:1||The Vietnam War:1||The young artist:1||Tradition:1||United States:1||Utopia:1||Vietnam:1||Wanpaoshan Incident:1||War Novels:1||Woman:1||Women:1||World Historical Perspective:1||Writer from North Korea:1||Yoo Jeong:1||Yu Jung:1||Yummeng:1||Zainichi Koreans:1||a place as experience:1||abnormal characters:1||absolute ego:1||acculturation:1||adaptation:1||allegory:1||anticommunist warrior:1||apresgirl:1||aspect of adaptation:1||assimilation:1||bestowal:1||boundary phenomenon:1||brother:1||buddhism:1||chaotic festival:1||chastity:1||children:1||city:1||civilization.:1||colonial:1||conservatism:1||cracks:1||culture:1||death and rebirth):1||depression:1||desire for recognition:1||dichotomy:1||editorial:1||emigration:1||empire:1||essential life:1||ethnic identity:1||exchange:1||family:1||fantastic character:1||gender:1||healing:1||hometown:1||human:1||hybridity:1||identification:1||ideologicallove:1||ideology:1||immigrant:1||immigrant worker:1||immigration:1||imperialism:1||incorporation:1||individual:1||integration:1||introjections:1||korea:1||korean war:1||localism:1||locality:1||manchuria:1||marginalization:1||marriage immigrant women:1||married immigrant:1||memory:1||military manhood:1||modern disciplinary institution:1||modernization:1||mother:1||motherhood:1||mourning:1||multicultural:1||multicultural novels:1||nationstate:1||nostalgia:1||nurse:1||official memory:1||other:1||parody:1||patriarchy:1||proJapanese group:1||pure bestowal:1||quasifamily:1||racism:1||resistant memory:1||return:1||rite of passage:1||ritual festival:1||rural community:1||s Literature:1||segregation:1||sexualpolitics:1||sign:1||snobbism:1||socialism:1||soldier:1||solitary man:1||subaltern:1||symbolization:1||symmetry:1||the Vietnam War:1||the White War:1||the emotional world:1||the end of Japanese Imperialism:1||the logical world:1||theend ofjapaneseimperialism:1||trauma:1||unreal city:1||witness:1||woman:1||women:1||“Into the Light”:1||“Medal and Bridle”:1||“Wandeuki”:1||『무기의 그늘』:1||『유맹』:1||『카차토를 쫓아서』:1||가족:1||간호병:1||감각:1||개인:1||개작:1||개작 양상:1||결혼이민자:1||결혼이주여성:1||경계 현상:1||경험으로서의 장소:1||계급문학:1||고엽제:1||고향:1||교환:1||국내이주:1||국민국가:1||군사적 남성성:1||귀환:1||균열:1||근대적 규율장치:1||근대화:1||금강선녀:1||기억:1||기호학적 사각형:1||김남천:1||김영석:1||김윤식:1||날파람:1||남한혁명세력:1||내사:1||내셔널리즘:1||노년소설:1||노동:1||논리적 세계:1||논설:1||농촌:1||다문화:1||다문화 소설:1||다문화소설:1||단독자:1||대칭성:1||도구적 성찰성:1||도시:1||돌봄:1||동물:1||동일시:1||로컬:1||로컬리티:1||만보산 사건:1||만주국:1||만주사변:1||말년성:1||맨해튼:1||명(인):1||모국어:1||모방 메커니즘:1||모방적 욕망:1||모성:1||문명화:1||문화:1||미국:1||미국인:1||민사심리전:1||민족적 사회주의:1||민족정체성:1||민족해방:1||민중:1||박영준:1||박영희:1||박완서:1||박진사:1||반공전사:1||반전소설:1||발화:1||백철:1||병원:1||병적인 인물:1||부인:1||부정:1||북방:1||비현실적인 도시:1||사랑:1||사상:1||사회주의:1||상상계:1||상징화:1||선군시대:1||성내:1||성외:1||성장:1||성정치:1||세계사적 시각:1||세종대왕:1||소유:1||순수증여:1||식민지배자:1||신성:1||심정적 세계:1||아동:1||아버지:1||안정효:1||안창남:1||알레고리:1||애도:1||어린이:1||어머니:1||언어:1||여성상:1||역사소설:1||연애서사:1||영웅:1||영원한 이방인:1||예수:1||예술:1||오빠:1||외세:1||용병:1||우울증:1||유사가족:1||유토피아:1||윤리:1||의례적 축제:1||이념적 연애:1||이민진:1||이순신:1||이악함:1||이주노동자:1||이주민:1||이중언어 정체성:1||이청준:1||이효석:1||인간:1||인정욕망:1||인종주의:1||인천:1||임화:1||자기치유:1||자연:1||자유:1||재생:1||재현:1||전쟁소설:1||전적지:1||전통:1||전후파 여성:1||절대적 자아:1||젊은 예술가:1||정비석:1||정조:1||제국:1||제국주의:1||제국주의적 (무)의식:1||젠더지리학:1||조선:1||조선문학:1||조정래:1||증상:1||증언:1||증여:1||지방주의:1||지식인:1||지역:1||징후:1||짝패:1||창제주체:1||청년:1||초점화:1||최서해:1||축제:1||충격노동:1||취라도:1||친일파:1||카오스적 축제:1||칸트:1||타자:1||탈북 작가:1||탈식민:1||태백산맥:1||통과의례:1||통합:1||트라우마:1||파국:1||파친코:1||패러디:1||하얀전쟁:1||하얼빈:1||하위주체:1||한(恨):1||한국계 미국인:1||한국군:1||한국어:1||한국전쟁기:1||한글:1||한중연합론:1||한흑구:1||합체:1||해외이주:1||행위자 모델:1||헤테로토피아:1||혼종성:1||화전민:1||환상성:1||황석영:1||훈장과 굴레:1||희생양:1||個人:1||階級:1||敎育觀:1||究竟的 삶:1||國漢文混用論:1||金東里:1||南廣祐:1||南北韓:1||男性人物:1||大陸:1||對稱性:1||滿洲:1||民族:1||保守主義:1||佛敎:1||生産力主義:1||兒童文學:1||女性觀:1||女性人物:1||歷史小說:1||輪廻:1||二分法:1||漢字文化圈:1||抗日遊擊隊:1||｢빛 속으로｣:1||黃眞伊:1||｢슬로우 블릿｣:1||｢완득이｣:1||1970년대:1||6.25 전쟁:1||Acculturation:1||Americans:1||An Changnam:1||Animal:1||AntiJapanese guerrilla unit:1||Antiwar novel:1||Art:1||Assimilation:1||Baek Cheol:1||Bilingual Identity:1||Biseok Jeong:1||Caring:1||Catastrophe:1||Children&apos:1||Chinese character culture:1||Cho Jeongrae:1||Choi SeoHae:1||Civil Psychological War:1||Class:1||Class literature:1||Community:1||Continent:1||Death:1||Decolonization:1||Defoliant:1||Denial:1||Downtown:1||Ethics:1||Father:1||Female Figure:1||Female Figures:1||Festival:1||Focalization:1||Former Battlefield:1||Freedom:1||Gender:1||Gender Geography:1||GeumGangSeonNyeo:1||Going after Cacciato:1||GwangSoo Lee:1||Gwangsoo Lee:1||Han Heukgu:1||Han SeolYa:1||Han Seolya:1||Han Sulya:1||Hangeul:1||Harbin:1||Hero:1||Heterotopia:1||Historical Novel:1||Historical novel:1||Hwang Jinyi:1||Hwang Seokyoung:1||Im Hwa:1||Imperial  (Un)consciousness:1||Incheon:1||Individual:1||Instrumental Reflexivity:1||Invention subject:1||Jeonghyo Ahn:1||Juranseom:1||Kant:1||Kim Dong Ri:1||Kim NamCheon:1||Kim Saryang:1||Kim Young Seok:1||Kim Yunsik:1||King Sejong:1||Korea and China Union Assertion:1||Korean American:1||Korean Literature:1||Korean Residents in Japan:1||KoreanChinese Characters mixed use theory:1||Labor:1||Language:1||Lateness:1||Lee HyoSeok:1||Lee Ki Young:1||Lee Kwang Soo:1||Lee KwangSoo:1||Lee Kwangsoo:1||

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