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1950년대에서 1980년대의 영화에 나타난 한복

Authors
소황옥김유승
Issue Date
2014
Publisher
한국복식학회
Keywords
변화; 소재; 한복; 한국 영화; 시대; change; fabrics; Hanbok; Korean movies; period
Citation
복식, v.64, no.2, pp 126 - 134
Pages
9
Journal Title
복식
Volume
64
Number
2
Start Page
126
End Page
134
URI
https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/13687
DOI
10.7233/jksc.2014.64.2.126
ISSN
1229-6880
Abstract
This study studied female Hanbok that appeared in Korean movies in different periods, andinvestigated the changes and flow of the Hanbok in the movies based on the design and theform. Research scope is limited to Hanbok in Korean movies released between 1950' and 1980',and in order to study Hanbok in movies, snapshots of Korean movies for each period are used. Pictures are sourced from the Korean movie database, and forms and colors of Hanbok in thepictures are classified into 7 categories. Based on this, characteristics, changes and flow ofHanbok for each period are studied. Based on this, by investigating the Hanbok in Korean moviesfrom silhouette and design perspectives and comparing each period, it is found that the followingchanges have been made: From 1950' to 1980', generally Min Jeogori (Normal Koreantraditional jacket) had a higher rate. Up to early 1960', wide collar and collar strip were trends,but from 70' to 80', they have been remarkably narrowed. After liberation, ease and functional elementsof western clothing were accepted. From 1950' to 80', generally wide and round shapesleeve were used. Also, from 50' to 80', normally skirt and Jeogori had the same color andfabric. Lastly. as Hanbok with western style fabric, rather than traditional Hanbok fabric was increasing,Hanbok with variously patterned fabric was shown. The lack of colored pictures led oflimited research materials, and so a more accurate and sophisticated research on material and designwas not possible, However, it is meaningful that this study has investigated changes and flowof Hanbok in modern Korean movies.
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