연극 ‘피카소의 여인들’의 무대 의상 제작 시스템에 관한 연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김영삼 | - |
dc.date.available | 2019-08-20T05:56:33Z | - |
dc.date.issued | 2011 | - |
dc.identifier.issn | 1226-0401 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/34764 | - |
dc.description.abstract | Today, a variety performance premiered in Korea, works of art as an advanced production planning and production system is becoming. Accordingly, the field of stage costume also increased collaboration with foreign producers and production systems and the advancement of the stage costume are required are becoming. The opening performance of the 30th anniversary of the Seoul Theater Festival was selected as Towol Theater Theater in 2009, April 16 to 26 of Picasso's women's costume is the study of production systems. This work directing and stage design by inviting domestic producers from foreign fields, and co-authored the work in the field of stage costumes in collaboration with foreign producers that are worth study and research work. In this study, this work has a practical study of costumes throughout the production system, an advanced stage costumes to contribute to the development of the field. The research methodology book data, collected papers, Internet resources through research and theoretical studies play 'Picasso's women's stage production of the award total to an empirical study was undertaken. The results of this study are as follows. First, the costume director for making a scholarly grasp of the direction of the investigation is ongoing throughout the process of creating the costumes. Second, foreign producers and co-author of the stage when the award, if other than purely domestic producers and create costumes to build production systems. Third, foreign producers and co-costume design and costume making coherent explanation for the processing of the list(Costume Breakdown List) are developed. Fourth, the actual performance over the director's intention to visualize the presentation was good enough, and the idea of the costume crew was taken to the director's idea of directing a play that reflected the will has a big meaning. | - |
dc.format.extent | 13 | - |
dc.publisher | 복식문화학회 | - |
dc.title | 연극 ‘피카소의 여인들’의 무대 의상 제작 시스템에 관한 연구 | - |
dc.title.alternative | A Study on the Production System of Stage Costume for Theatre ‘Picasso's Women’ | - |
dc.type | Article | - |
dc.identifier.doi | 10.29049/rjcc.2011.19.1.83 | - |
dc.identifier.bibliographicCitation | 복식문화연구, v.19, no.1, pp 83 - 95 | - |
dc.identifier.kciid | ART001532786 | - |
dc.description.isOpenAccess | N | - |
dc.citation.endPage | 95 | - |
dc.citation.number | 1 | - |
dc.citation.startPage | 83 | - |
dc.citation.title | 복식문화연구 | - |
dc.citation.volume | 19 | - |
dc.publisher.location | 대한민국 | - |
dc.subject.keywordAuthor | stage costume | - |
dc.subject.keywordAuthor | Picasso's Women | - |
dc.subject.keywordAuthor | stage costume production system | - |
dc.subject.keywordAuthor | 무대의상 | - |
dc.subject.keywordAuthor | 피카소의 여인들 | - |
dc.subject.keywordAuthor | 무대 의상 제작 시스템 | - |
dc.description.journalRegisteredClass | kci | - |
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