宋代 詞論의 記述 類型에 관한 分析 - 蘇軾 관련 詞論을 중심으로·

Abstract

The purpose of this research was to grasp and evaluate the depicting patterns of theories on Ci written during the Song era. As the result of this fundamental analyses on the theoretical books about Ci studies published in the Song era, it came to known that those six depicting patterns are mainly notable:First, introducing the historical events worked as the background during the process of creating the Ci. Second, minute explanations and commentary on some specific Ci works. Third, general comments on several Ci composers. Fourth, indications or counterarguments on the existing fallacy found in those theoretical books about Ci studies. Fifth, close examination on the relations of some responsing Ci works. And finally sixth, close examination on the origins of several Ci phrases. Those six depicting patterns have their own part in the contributions to the research on Ci studies. This paper is written in hopes of setting off the overall research to come on Ci studies.