신체적 경험과 인간관계의 사진적 표출 : The Weight, Most Beautiful 작품을 중심으로

Abstract

The fundamental characteristic of photography, which always requires an object, is tied to the routine and repetitive human action of first confirming one’ s own existence through the existence of others, especially in the category of object individual. In this thesis, I would like to look back on two works from the artist’s point of view based on the recognition that a human being is always connected with others, the value of existence is formed, and is an independent and interdependent existence. It deals with the visualization of the unconscious revealed in the performance process of the work, the recognition of new senses discovered through the act of non-routine physical contact with others, and the results of the image consciously formed as a participant. This project was realized with the invitation by the Macval (MAC/VAL - musée d’art contemporain Val-de-Marne), a contemporary art museum in Vitry-sur-Seine, France in conjunction of commemorating the 130th anniversary of diplomatic ties between Korea and France. It contains information about the background and process of the production of the realized work. In addition, I would like to describe the possibility of new artistic expression discovered through the process of this project, which was produced while traveling between France and Korea during the project period. By introducing the conception background and process of the two works The Weight(2016) and Most Beautiful(2016), it is not a directing for an image, but an example of the possibility of expressing an image through real experience and imagination, giving researchers and artists a new perspective on the photographic medium. key