空间映射论视角下秦观词的认知解读

Abstract

本文在空间映射论的视角下，选取秦观词中具有代表性作品进行了尝试性的认知解读，为秦观词的研究提供了一个新的角度。秦观词中词人通过意象所营造出的词境烘托出了词人内心的情感，将词人的内在情感外化。这样的过程中存在着大量的空间映射现象，可见，意象的空间映射是秦观词意境现实化的重要手段。因此，从空间映射论的角度对秦观词中意象映射进行分析，是深入解读秦观词的必要且行之有效的方法。本文从投射映射、语用功能映射和图式映射三个方面对秦观词进行了认知解读。通过对秦观词中存在的空间映射的分析，可以帮助读者在词中所呈现的不同的心理之间建立起对应关系，深入把握秦观词中的意境现实化过程，从而可以对秦观词的词境和情感世界有更深的认知，得到新的审美体验。

From the perspective of spatial mapping theory, this paper selects representative works of Qin Guan’s CI for a tentative cognitive interpretation, which provides a new perspective for the research of Qin Guan’s Ci. In Qin Guan’s Ci poetry, the CI context created by the CI images sets off the inner feelings of the CI poets and externalizes their inner feelings. In this process, there are a lot of space mapping phenomena. It can be seen that the space mapping of image is an important means to realize the artistic conception of Qin Guan’s Ci. Therefore, this paper analyzes the image mapping in Qin Guan’s Ci from the perspective of space mapping theory, which is a necessary and effective way to interpret Qin Guan’s Ci. This paper makes a cognitive interpretation of Qin Guan’s Ci from three aspects: projection mapping, pragmatic function mapping and schema mapping. Through the analysis of the spatial mapping in Qin Guan’s Ci, it can help readers establish corresponding relationship between the different psychology presented in the CI, and deeply grasp the process of artistic conception realization in Qin Guan’s Ci, so as to have a deeper understanding of the CI and emotional world of Qin Guan’s Ci and get a new aesthetic experience.