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근대 기계적 지각과 영화 매체－짐멜, 베르그손, 벤야민의 이론을 중심으로
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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 김호영 | - |
| dc.date.accessioned | 2021-06-23T11:38:23Z | - |
| dc.date.available | 2021-06-23T11:38:23Z | - |
| dc.date.created | 2021-01-22 | - |
| dc.date.issued | 2011-11 | - |
| dc.identifier.issn | 1975-5082 | - |
| dc.identifier.uri | https://scholarworks.bwise.kr/erica/handle/2021.sw.erica/38782 | - |
| dc.language | 한국어 | - |
| dc.language.iso | ko | - |
| dc.publisher | 한양대학교 현대영화연구소 | - |
| dc.title | 근대 기계적 지각과 영화 매체－짐멜, 베르그손, 벤야민의 이론을 중심으로 | - |
| dc.title.alternative | Mechanical Perception and Cinema-Focusing on the Theory of Bergson, Benjamin and Epstein | - |
| dc.type | Article | - |
| dc.contributor.affiliatedAuthor | 김호영 | - |
| dc.identifier.doi | 10.15751/cofis.2011.7.2.155 | - |
| dc.identifier.bibliographicCitation | 현대영화연구, v.7, no.2, pp.155 - 187 | - |
| dc.relation.isPartOf | 현대영화연구 | - |
| dc.citation.title | 현대영화연구 | - |
| dc.citation.volume | 7 | - |
| dc.citation.number | 2 | - |
| dc.citation.startPage | 155 | - |
| dc.citation.endPage | 187 | - |
| dc.type.rims | ART | - |
| dc.identifier.kciid | ART001602919 | - |
| dc.description.journalClass | 2 | - |
| dc.description.isOpenAccess | Y | - |
| dc.description.journalRegisteredClass | kci | - |
| dc.description.journalRegisteredClass | other | - |
| dc.subject.keywordAuthor | Mechanical Perception | - |
| dc.subject.keywordAuthor | Georg Simmel | - |
| dc.subject.keywordAuthor | Henri Bergson | - |
| dc.subject.keywordAuthor | Walter Benjamin | - |
| dc.subject.keywordAuthor | early film theory | - |
| dc.subject.keywordAuthor | filmic image | - |
| dc.subject.keywordAuthor | Béla Balázs | - |
| dc.subject.keywordAuthor | Jean Epstein | - |
| dc.identifier.url | https://www.kci.go.kr/kciportal/landing/article.kci?arti_id=ART001602919 | - |
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- Kim, Ho young
- COLLEGE OF LANGUAGES & CULTURES (DEPARTMENT OF FRENCH STUDIES)