중국 윈남성 소수민족 복식의 장신구 특성 - 바이족(白族), 좡족(壮族), 다이족(傣族), 장족(藏族),하니족(哈尼族)을 중심으로 -open accessCharacteristics of fashion accessories of minorities in Yunnan, China - focused on Bai, Zhuang, Hani, Dai, and the Zang nationality -
- Other Titles
- Characteristics of fashion accessories of minorities in Yunnan, China - focused on Bai, Zhuang, Hani, Dai, and the Zang nationality -
- Authors
- 조선맹; 윤정아; 이연희
- Issue Date
- Feb-2018
- Publisher
- 한국의상디자인학회
- Keywords
- 윈남성; 소수민족 장신구; 과장성; 자연성; 상징성; Yunnan province; accessory of clothes of minority groups; exaggeration; nature; symbolism
- Citation
- 한국의상디자인학회지, v.20, no.1, pp.109 - 124
- Indexed
- KCI
- Journal Title
- 한국의상디자인학회지
- Volume
- 20
- Number
- 1
- Start Page
- 109
- End Page
- 124
- URI
- https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/150554
- DOI
- 10.30751/kfcda.2018.20.1.109
- ISSN
- 1229-7240
- Abstract
- This study focused on the accessory of clothes of minority groups in Yunnan province to further the research about specific accessories’ development in the future. Among the minorities in Yunnan, this study centralized characteristics of ornaments, hats and belts among five minority groups such as the Bai, Zhuang, Hani, Dai, and the Zang as representatives to study in detail because these five ethnicities have a relatively long history and plentiful information. The results are as follows: First, exaggeration means large gorgeous patterns that attract attention. Generally, there are many natural resources that can be used in places where these minority groups live such as gems, gold, silver shells and animals’ horns, bone, teeth and the like. Headdress includes combs, loops, hairpins and other similar articles. Second, nature is a very fundamental part that people rely on for existence and development. The production and living that people need in life all depend on nature. The design of accessories is made from animal forms and patterns of clothes are presented through embroidery and wax printing. Designers always tried to add natural elements to their works. Third, symbolism consists of two aspects: One is the people’s imagination, which related to actual materials, and the other is the product of imagination that provides better conditions to inspire people when they design. In China, most minority groups believe in Buddhism. The symbols in the clothing show their devout faith. Even the method of wear has many special implications like the use of accessories and length of clothing. The pattern of dragons and use of golden, red and other colors all have a proper symbolic significance in modern designs.
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