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칸의 벽난로에 대한 연구 - 직각 체계를 벗어난 근원적 오브제An Analysis of Louis Kahn"s Fireplace : The Essential Object beyond Orthogonal Composition

Other Titles
An Analysis of Louis Kahn"s Fireplace : The Essential Object beyond Orthogonal Composition
Authors
홍예은남성택
Issue Date
Oct-2016
Publisher
대한건축학회
Keywords
루이스 칸; 벽난로; 탈 직각; 근원적 오브제; Kahn; Fireplace; Beyond Orthogonality; Essential Object
Citation
대한건축학회 2016년도 추계학술발표대회논문집, v.36, no.2, pp.417 - 418
Indexed
OTHER
Journal Title
대한건축학회 2016년도 추계학술발표대회논문집
Volume
36
Number
2
Start Page
417
End Page
418
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/153703
ISSN
2287-5786
Abstract
The purpose of this study was to analyze fireplaces in houses by Louis I. Kahn. This study began by discovering Kahn's architectural shift from orthogonal composition. The change was explicit in fireplace design. Kahn's houses were analyzed with a focus on fireplaces and their placement. In Kahn's houses, fireplace escaped from the wall and showed up in the center of the room like a sculpture. For Kahn, fireplace means essential element of house and house itself. This study suggests that the fireplace in Kahn's houses acts like a monumental building in his city planning.
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