한국 소설에 나타난 카메라와 사진의 상상력에 대한 고찰 -〈빛의 호위〉, 〈댈러웨이의 창〉, 〈이창〉을 중심으로-

Abstract

The purpose of this study is to explain the usage and meaning of camera andphotograph as a motif or a subject matter in a korean novel, perception of technologyand visual application in modern picture images. This study focused on 〈The guard oflight〉, 〈A window of Dalloway〉 and 〈Rear Window〉. In these works, camera andphotograph as a subject matter present profound cognitive issues of seeing and truth inrecent years. Advancement in digital technical environment makes revolutionary changeof the relations between consumer of visual recognition and picture images. Thismechanism is very important analytical concept as the process which is composedconsumer of visual recognition that indiscriminately accepts excessive picture imagesthese days. In these works, camera and photograph plays a role of a mediation forcommunication and a new method of search for truth & fiction between characters inthe novel. Also, these works shows us the literary self-consciousness of the visualtechnology to seeing and understanding. The multiple use of camera and photograph ina recent novel indicates that writers are more and more interested in a visual imagesand they aware of its new aesthetic significance. One of distinctive features in thesenovels is that the visual technology like camera and photograph frequently appeared asa motif or an essential material. In the interest of photographic images, consciousness ofrecently novels, express a sense of visual impression, visual veracity and emotionaldisturbance. Photographic images are not only positive proof or stark fact for the objectof aesthetic research. On the one hand, these novels are a attempt to take methodology to overthrow the other-directed visual environment, ultimately acquired alternative visualbalance.