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근/현대에서 나타나는 '서프라이즈 박스' 건축 전략에 관한 연구Architectural Strategy of Surprise Box in Modern and Contemporary Period

Other Titles
Architectural Strategy of Surprise Box in Modern and Contemporary Period
Authors
남성택
Issue Date
Aug-2011
Publisher
대한건축학회
Keywords
마르셀 뒤샹; 르 꼬르뷔제; 앨리슨/피터 스미슨; 렘 콜하스; 헤르족/드므론; 장 누벨; SANAA; Marcel Duchamp; Le Corbusier; Alison/Peter Smithson; Rem Koolhaas; Herzog & de Meuron; Jean Nouvel; SANAA
Citation
대한건축학회논문집, v.27, no.8, pp.197 - 206
Indexed
KCI
Journal Title
대한건축학회논문집
Volume
27
Number
8
Start Page
197
End Page
206
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/167741
ISSN
1226-9093
Abstract
The main purpose of this paper is to introduce the strategy of 'surprise box' in modern and contemporary architecture. The surprise box is against the architecture of absolute transparency. The outside reveal nothing. The hidden mystery can be discovered only when the inside is opened. In the case of Le Corbusier, Innovation trunk, that he considered like the surprise box, became the reference for an new architectural design. The astonishment, intentioned by the surprise box architecture,provoke the intensification of the perception, such as the lesson from the art of provocation of Marcel Duchamp and his objects. Alison and Peter Smithson manifest also "concealment and display", another expression of surprise box. The article also tries to analyze the selected examples of contemporary architects like Rem Koolhaas, Herzog & de Meuron, Jean Nouvel, SANAA, to show that the theoretical line continues and spreads now more than ever.
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