판화에서 차이와 흔적에 관한 미학적 연구A Study of on Diffrence and Trace of the Print
- Other Titles
- A Study of on Diffrence and Trace of the Print
- Authors
- 김승연; 민경아
- Issue Date
- 2008
- Publisher
- 한국기초조형학회
- Keywords
- Printmaking; Mrdia; difference; trace; reproduction; dirrerance; Derrida; Deleuze; 판화; 매체; 차이; 흔적; 복제; 차연; 데리다; 들뢰즈
- Citation
- 기초조형학연구, v.9, no.3, pp.39 - 49
- Journal Title
- 기초조형학연구
- Volume
- 9
- Number
- 3
- Start Page
- 39
- End Page
- 49
- URI
- https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/23122
- ISSN
- 1598-8635
- Abstract
- In the art of today, the form has become the substance, the media a philosophical topic, and likewise "art" itself, a product of both media and philosophy.In the past, a philosophical meaning was bestowed to an artwork after it was finished. However, that procedure has now changed; the creator of the artwork or an art critic will integrate a meaning to the work as it is being made. This is why art and philosophy today have a strong complementary relationship.The introduction of a trend-following medium creates yet another course of art with new philosophical significance. Thus, to fully understand contemporary art, one needs to fathom the philosophical analysis of "medium."Print Making, a form of art known for its convenience in communication and multiple production, has changed the theory of art significantly. This research studies Print Making as a medium, Difference and Trace as a philosophy, and Andy Warhol' prints. Thus, this paper intends to address the strengths of Print Making in relation to the Post-Modern age.
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Collections - College of Fine Arts > Department of Printmaking > 1. Journal Articles
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