The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution
- Authors
- Chang, WoongJo; Lee, June
- Issue Date
- 1-Jan-2023
- Publisher
- ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
- Keywords
- Korean B-bo; Marginalisation; resistance; glocalisation; institutionalisation
- Citation
- CULTURAL TRENDS, v.32, no.2, pp.140 - 154
- Journal Title
- CULTURAL TRENDS
- Volume
- 32
- Number
- 2
- Start Page
- 140
- End Page
- 154
- URI
- https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/27806
- DOI
- 10.1080/09548963.2022.2070724
- ISSN
- 0954-8963
- Abstract
- When the forces of globalisation brought B-boying (or breakdancing) to Korea, the traditionally conservative mainstream society looked askance at the practice. The government, concerned with building a strong national culture, set restrictive policies to protect Korean society from what it saw as a disruptive foreign influence. Nevertheless, a marginalised Korean B-boy subculture developed; rejected locally, Korean crews began competing globally. When they swept major international competitions, B-boying exploded in Korea and the government began to support and deploy it as iconic of Korea's youthful and dynamic art world. Thus, B-boying in Korea has undergone two major cycles of globalisation and Korean government intervention since the 1980s. In this paper, we trace how a marginalised subculture came to be institutionalised as a point of national pride by the government and the role that glocalisation has played in this dramatic reversal of the fortunes of the B-boys in Korea.
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