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PERFORMATIVE ART: THE POLITICS OF DOUBLENESS
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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Cho, Hyunkyoung | - |
| dc.contributor.author | Yoon, Joonsun | - |
| dc.date.available | 2018-05-10T15:54:31Z | - |
| dc.date.created | 2018-04-17 | - |
| dc.date.issued | 2009 | - |
| dc.identifier.issn | 0024-094X | - |
| dc.identifier.uri | http://scholarworks.bwise.kr/ssu/handle/2018.sw.ssu/16733 | - |
| dc.description.abstract | Performative art comes from two major ideas. One concerns the performativity as what happens in the collaborative action of human and computer: the other, the doubleness of technology as one insight overcoming the human-subject centered dichotomy. As the linking point where two ideas meet. performative art critiques the politics of contemporary technology-based art in the humanist context. | - |
| dc.publisher | MIT PRESS | - |
| dc.relation.isPartOf | LEONARDO | - |
| dc.title | PERFORMATIVE ART: THE POLITICS OF DOUBLENESS | - |
| dc.type | Article | - |
| dc.identifier.doi | 10.1162/leon.2009.42.3.282 | - |
| dc.type.rims | ART | - |
| dc.identifier.bibliographicCitation | LEONARDO, v.42, no.3, pp.282 - 283 | - |
| dc.description.journalClass | 1 | - |
| dc.identifier.wosid | 000265972200024 | - |
| dc.identifier.scopusid | 2-s2.0-67649995841 | - |
| dc.citation.endPage | 283 | - |
| dc.citation.number | 3 | - |
| dc.citation.startPage | 282 | - |
| dc.citation.title | LEONARDO | - |
| dc.citation.volume | 42 | - |
| dc.contributor.affiliatedAuthor | Yoon, Joonsun | - |
| dc.type.docType | Article | - |
| dc.description.journalRegisteredClass | scopus | - |
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Related Researcher
- Yoon, Joonsung
- College of Information Technology (Global School of Media)