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“Ju. T’aime” My Idol, My Streamer: A Case Study on Fandom Experience as Audiences and Creators of VTuber Concertopen access

Authors
Lee, S.Lee, J.
Issue Date
Mar-2023
Publisher
Institute of Electrical and Electronics Engineers Inc.
Keywords
Avatars; Computer generated music; Computer-mediated Communication; Entertainment industry; Fandom Experience; Music; Online Entertainment; Online services; Production; Virtual Concert; Virtual Idol; Virtual reality; Virtual Youtuber
Citation
IEEE Access, v.11, pp 31125 - 31142
Pages
18
Journal Title
IEEE Access
Volume
11
Start Page
31125
End Page
31142
URI
https://scholarworks.bwise.kr/ssu/handle/2018.sw.ssu/43808
DOI
10.1109/ACCESS.2023.3252563
ISSN
2169-3536
Abstract
Streamers and celebrities are increasingly using virtual avatars as a form of online entertainment; moreover, VTubers and virtual concerts are reporting increasing viewership. Therefore, understanding the unique characteristics, phenomena, and challenges of virtual avatars is an active topic in the HCI community. We extensively investigated a VTuber’s concert that was streamed on various viewing platforms and in which fans participated as voluntary creators. We surveyed 1,795 audience members and interviewed 10 voluntary creators to understand their experiences and perspectives. The survey and interview results revealed that both the platform type and perceived role of the VTuber (e.g., idol/streamer) affect the presence and immersion of audiences. We determined that the motivational context for voluntary creation and fan experience considerably influence content creation. Combining the two findings, we discussed the influences of perceived roles, fanwork experience, and viewing platforms on fandom experience. Furthermore, design implications were introduced for a future concert with virtual avatars. Author
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