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예술적 패러다임 전환기에 나타난 서양 여성 복식의 미적 특성과 현대적 표현open accessAesthetic Characteristics of Western Women’s Costumes on Artistic Paradigm Shifts and Modern Expression in Fashion

Authors
전여선김영삼
Issue Date
2014
Publisher
한국의류산업학회
Keywords
서양여성복식의 미적특성; 예술적 패러다임 전환; 패션의 현대적 표현; aesthetic characteristics of Western women’s costumes; the artistic paradigm shift; modern expressions in fashion
Citation
한국의류산업학회지, v.16, no.6, pp 835 - 848
Pages
14
Journal Title
한국의류산업학회지
Volume
16
Number
6
Start Page
835
End Page
848
URI
https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/12956
DOI
10.5805/SFTI.2014.16.6.835
ISSN
1229-2060
2298-5743
Abstract
This study investigated the relationship between inner characteristics manifested through the characteristics of artistic styles and formativeness manifested through external expressions of architectural styles in the early Medieval Period and early Renaissance Period. The method applied to this study is as follows. First, a historical document research was conducted centering on academic theses, related books, and academic databases; in addition, a case study identified the aesthetic characteristics of women's clothes. The conclusion of this study is as follows. First, the following is the analysis of the relationship between the artistic mode and architectural formativeness in the early Medieval Period and early Renaissance Period that represent a turning point in artistic paradigms. Second, the inner characteristics and eclecticism of the artistic mode literally appear in the formativeness of architectural style in the early Medieval Period, and the eclecticism in the architectural style appears to be expressed through a combination with new styles based on the application of the retro mode such as the eclectic adoption of cultural styles of various regions based on the tradition and technology of ancient Rome. Third, the trend of the aesthetic characteristics commonly appear in the modern style of expression related to the aesthetic characteristics of western women's clothes in the early Medieval Period; in addition, the early Renaissance Period was analyzed as decorativeness and respectively manipulability.
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