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영화 '이상한 나라 앨리스'의 영화의상에 나타난 환상성의 표현 유형에 관한 연구- 문학적 환상성 이론을 중심으로 -open accessA Study on Expression Types of Fantasy in Movie Costumes for ‘Alice In Wonderland’ - Focused on the Theory of Fantasy in Literature -

Authors
김장현김영삼
Issue Date
2014
Publisher
한국의류산업학회
Keywords
문화적 환상성 이론; 영화의상; 영화 '이상한 나라 앨리스'; 환상성의 표현 유형; the theory of fantasy in literature; movie costume; movie ‘Alice in wonderland’; expression types of fantasy
Citation
한국의류산업학회지, v.16, no.1, pp 26 - 34
Pages
9
Journal Title
한국의류산업학회지
Volume
16
Number
1
Start Page
26
End Page
34
URI
https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/13692
DOI
10.5805/SFTI.2014.16.1.26
ISSN
1229-2060
2298-5743
Abstract
This study considered movie costumes shown in ‘Alice In Wonderland’ by Tim Burton based on the Theoryof Fantasy in Literature by Tzvetan Todorov and Rosemary Jackson. The research method used was a case study onexpression types of fantasy used in movie costumes with a literature research based on the Theory of Fantasy in Literature. The Theory of Fantasy in Literature has significance in suggesting a new theoretical approach for understandinga visual perspective and aesthetic characteristics shown in fashion as well as movie costumes. The conclusions of thestudy are as follows. First, fantasy can connote characteristics of the marvelous, the uncanny, and the imitative througha consideration of Theory of Fantasy in Literature. Second, the marvelous is what is not beautiful, not ugly, but is strangeand surprising, and what escapes from the existing norm. The characteristics of the marvelous in movie costumes areexpressed through cross-dressing or displayed by allowing the personified animal to wear clothes. Third, the uncanny issomething that causes grotesque, disgusting, comic and recreational responses. The characteristics of the uncanny inmovie costumes are expressed through exaggerating and artificially transforming the body. Fourth, the imitative is theproperty of trying to imitate or follow other things. The characteristics of the imitative in movie costumes are indicatedby dismantling and expanding a form through borrowing costumes from various ages.
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