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무용과 과학기술을 융합한 그룹 E.A.T.에 관한 연구A Study on Group E.A.T.

Authors
조은숙남선희
Issue Date
2019
Publisher
한국무용예술학회
Keywords
E.A.T.; Experiments in art and technology; Postmodernism; Interdisciplinary arts; Collaboration; 이에이티; 예술과 과학기술의 결합; 포스트모더니즘; 다원예술; 협업
Citation
무용예술학연구, v.73, no.1, pp 187 - 205
Pages
19
Journal Title
무용예술학연구
Volume
73
Number
1
Start Page
187
End Page
205
URI
https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/27106
DOI
10.16877/kjds.73.1.201903.187
ISSN
1226-900X
Abstract
Dancing has now come to the fourth industrial revolution era where the ‘data about man and object is collected and utilized’. Increase of experimental art work of modern artists has created arts that cannot be included in previous category of art, and ‘interdisciplinary art’ has become an essential concept in contemporary art. E.A.T.(Experiments in Arts and Technology) founded in New York is a leading example of such experimental art work. Thus, this study aims to contemplate on history and characteristics of E.A.T., the interdisciplinary art group that pioneered the fusion of art and scientific technology, and analyze the art works of Merce Cunningham, Steve Paxton and Trisha Brown, the dancers who actively engaged in E.A.T. Through this, this study will be able to suggest the future direction for improvement by facing the past and present of art of dancing within the genre of interdisciplinary art.
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예술대학 (무용)
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