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한국 유입 과정 분석에 나타난 걸스힙합(Girls Hip-hop) 전공의 특이성 고찰

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dc.contributor.author유혜진-
dc.contributor.author정승혜-
dc.contributor.author박성진-
dc.contributor.author이해준-
dc.date.accessioned2024-04-03T08:00:30Z-
dc.date.available2024-04-03T08:00:30Z-
dc.date.issued2024-02-
dc.identifier.issn1598-4672-
dc.identifier.urihttps://scholarworks.bwise.kr/erica/handle/2021.sw.erica/118386-
dc.description.abstractThis study examines the uniqueness of Girls Hip-hop as a major through its introduction process in Korea. Drawing from four prior stud- ies with 'Girls Hip-hop' in their titles, the research analyzes two stages: the influx process and the singularity of Girls Hip-hop as a major. The influx process is categorized into four main stages and six sub-stages. Korean Girls Hip-hop faces two significant issues: legitimacy as an in- dependent major and identity dilemmas arising from similar dance styles. Influenced by the US and Japan, Korean Girls Hip-hop is gradually di- verging from the tendency to interpret all labeled dances as defined by Japan. Consequently, it contributes to the diversity of dance arts by in- tegrating various influences.-
dc.format.extent18-
dc.language한국어-
dc.language.isoKOR-
dc.publisher대한무용학회-
dc.title한국 유입 과정 분석에 나타난 걸스힙합(Girls Hip-hop) 전공의 특이성 고찰-
dc.title.alternativeA Study on the Specificity of Girls Hip-hop Major through Analysis of its Inflow Process in Korea-
dc.typeArticle-
dc.publisher.location대한민국-
dc.identifier.doi10.21317/ksd.82.1.7-
dc.identifier.bibliographicCitation대한무용학회 논문집, v.82, no.1, pp 113 - 130-
dc.citation.title대한무용학회 논문집-
dc.citation.volume82-
dc.citation.number1-
dc.citation.startPage113-
dc.citation.endPage130-
dc.identifier.kciidART003061520-
dc.description.isOpenAccessN-
dc.description.journalRegisteredClasskci-
dc.subject.keywordAuthorGirls Hip-hop-
dc.subject.keywordAuthorInflux Process-
dc.subject.keywordAuthorMajor Characteristics-
dc.subject.keywordAuthorDance Styles-
dc.identifier.urlhttps://kiss.kstudy.com/Detail/Ar?key=4075147-
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