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부산국제영화제 캐릭터 활성화 전략 연구- 캐릭터 서사의 활성화를 중심으로 -Study of Strategies to Activate Character of Pusan International Film Festival - Focusing on Activating Character's Narrative

Other Titles
Study of Strategies to Activate Character of Pusan International Film Festival - Focusing on Activating Character's Narrative
Authors
박기수
Issue Date
Dec-2005
Publisher
한국언어문화학회
Keywords
부산국제영화제(Pusan International Film Festival); 캐릭터(character); 서사(narrative); 창구효과(window effect); 캐릭터의 정체성(identity of character); 활성화 전략(Strategies to Activate); 캐릭터 프로모션(character promotion); 향유(enjoyment); 대중문화콘텐츠(popular culture's contents); 상품화(merchandising); 부산국제영화제(Pusan International Film Festival); 캐릭터(character); 서사(narrative); 창구효과(window effect); 캐릭터의 정체성(identity of character); 활성화 전략(Strategies to Activate); 캐릭터 프로모션(character promotion); 향유(enjoyment); 대중문화콘텐츠(popular culture's contents); 상품화(merchandising)
Citation
한국언어문화, no.28, pp 177 - 204
Pages
28
Indexed
KCICANDI
Journal Title
한국언어문화
Number
28
Start Page
177
End Page
204
URI
https://scholarworks.bwise.kr/erica/handle/2021.sw.erica/46187
ISSN
1598-1576
Abstract
This study has an intention of researching the strategies to activate the character of PIFF (Pusan International Film Festival), focusing on activating the character's narrative. PIFF has developed as the world wide film festival for short time. Though it doesn't link the film festival to the other film festivals effectively, and it scarcely has an active character business to make itself the pivot to promote the film festival. This study analyzes the causes and proposes five counter plans. 1) Character is to be developed to embody, continue and expand the identification of PIFF. It's possible in case of considering four mottos of PIFF, trying to realize the identification variously and recognizing the complementary relationship of character's narrative and film festival's narrative. 2) The character of PIFF be requested multiple or divided into sub-characters to realize themselves for diverse ages, levels, and media. 4) The product of PIFF character should be on sale. It should be available to be on the market, since PIFF is an annual event continuing and expanding, passing from the step ‘pre - festival’ to ‘post - festival’ 5) The taste of customers should be grasped and accurately reflected in the character products. PIFF character mediates the expectation and remembrance of PIFF. Therefore the character which doesn't maintain its identification and durability is definitely not able to guarantee the reason for being. At once it's necessary to plan the strategies for development ; considering PIFF character doesn't have the only cultural worth to converge into its identification but also has an attribute as the product to reveal the economic worth.
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ERICA 커뮤니케이션&컬처대학 (ERICA 문화콘텐츠학과)
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